Category Archives: Memory

A sober reflection on ‘Flowers for Algernon’

Happy New Year, folks.

I often hear people talk about teachers who opened their minds and transformed their lives during their schooldays. This is usually in the context of extolling education in general by offering a heroic figure for everyone to admire.

Well, I had a lot of great teachers, and still do, although school is far behind me. But I’ve never been able to point to one that had that sort of “I was blind but now I see” impact on me. I do have some more modest stories about teachers who turned me on to something.

Like Mr. Kramberg, down in New Orleans when I was in the 7th grade.

I’m sorry I don’t have his full name — and maybe I’m even misspelling his surname, after all this time. I’ve tried researching him on the Web, without success. And that worries me. You see, toward the end of that year, we were told that Mr. Kramberg wouldn’t be returning to Karr Junior High School after that 1965-66 school year, because he was going into the Army, and as I remember it, he was going to Vietnam (as my Dad did the following year). I assume (possibly wrongly) that since he was a teacher he would receive a commission, and while I may not have known then about the survival chances of second lieutenants in the infantry, I know more now.

Anyway, I remember him fondly, and not just because of the novelty of him being my first teacher who was a Mister and not a “Miz.” He had that quality that you find in “Conrack” (I never read The Water is Wide, but only saw the movie) and other books and films about teachers who made an above-the-call-of-duty effort to connect with students. And here’s the example of that I remember best…

For part of that term, he spent a few minutes each day reading a short story to us. I was a fairly voracious reader as a kid, but this story was different from any written work I had ever encountered. I had a habit in those days of letting my attention wander far from what was going on in English classes. I couldn’t help it. Classes in which the teacher went over and over rules of language that were second nature to me as an avid reader practically put me in a coma. But I was riveted by every word that he read aloud from “Flowers for Algernon” by Daniel Keyes.

Yes, I said “short story.” That’s all it was, initially, when it was written in 1958. I later found out about the novel version published in 1966 and read and enjoyed that, once I realized it was the story Mr. Kramberg had read us.

Aside from the story being compelling, the unique (to me at that point in my education) way in which Keyes told it was what grabbed me. It’s told in first person by a retarded man named Charlie Gordon who wants more than anything to be “smart.” He studies hard, and his motivation causes him to be singled out for experimental surgery to greatly increase his intelligence (yes, the story was published in The Magazine of Fantasy & Science Fiction in 1959, and won both the Hugo and Nebula awards).

Aside from that premise, the story was decidedly down-to-earth, particularly because of Charlie’s very humble writing style. The doctors involved in the experiment have asked him to keep a journal, and he does his best, even though his grasp of spelling and composition are at best marginal. The story — in both short and novel form — is told entirely through that journal.

It’s a very compelling way to tell Charlie’s story, and that’s what grabbed me from the beginning Mr. Kramberg’s class. He did a great job of conveying Charlie’s challenges as a writer, and it really pulled us along. Or at least it did me. Since then, I have read and enjoyed the novel quite a few times.

If you haven’t read it, I highly recommend it.

After this, though, if you have not read it, I must give you a SPOILER ALERT. You probably shouldn’t read beyond this sentence…. Even though I suspect you would still enjoy it even if you knew how it ends. The appeal of the work is more in how the story is told than in the outcome itself.

But if you hate spoilers, read no further.

Those who have read it know the sad fact that this is, as Keyes described it, “a classic tragedy.” After the initial chapters, Charlie undergoes his “operashun,” which he assures us “dint hert.” It is a dramatic success, and the following journal entries showcase a process — gradual at first, then rapidly accelerating if I recall correctly — of a simple man becoming a genius, and discovering things about the world and himself that he had never suspected.

Those chapters are exhilarating. Unfortunately, the effect is not permanent. And once he becomes far smarter than everyone around him and has thoroughly studied and absorbed the data that underly the procedure he has undergone, Charlie is the first person to realize that he will soon return to being the way he was. The doctors who are so proud to have transformed him reject the suggestion that their project will fail, but Charlie knows. And then the journal entries start sliding down from brilliance to the stumbling level where they started.

Which is painful to endure, but it’s still a great story. In fact, if I can’t find that old paperback around the house, I might go buy myself another copy.

But if I read it again, I’m a bit worried that I might identify with those latter chapters a bit more than would be pleasant.

Everyone declines if one lives long enough. Sometimes in ways that don’t matter very much. For instance, I was a bit alarmed 20 years ago when I suddenly realized I no longer had perfect recall of every lyric the Beatles ever wrote or recorded.

Somehow, though, life went on, and in fact I still remember most of them. So what, me worry?

I got somewhat more alarmed this week. Remember how I theorized awhile back that studying Dutch had sharpened my language skills, even in English? As I wrote in early November:

Also… back when I was doing 10 and more [Duolingo] lessons a day, before the Europe trip, an interesting thing happened. I suddenly was really, really good at the NYT word games I play — Wordle, Spelling Bee and Connections. I mean crazy good. There was one week when I got Wordle in two tries three days in a row, and also hit the “genius” level — which means I “won” — three days in a row [on Spelling Bee].

It was a bit like experiencing in real life what Charlie went through in the period after his “operashun.” I was still digging that, even though I had stopped doing the 10 Duolingo lessons a day, and was only completing one or two, to avoid breaking my streak (which now stands at 297 days).

Well… today I decided to step up the pace to three or four lessons, and may do more before the day is out.

That’s because suddenly, I’ve hit a wall on Wordle. I did not complete the puzzle on Tuesday. But that’s OK, right? It was just because I forgot to go back and complete it. That happens occasionally — it happened one day when we were in Europe over the summer. And on Wednesday, I got through it just fine.

But then on Thursday, I failed entirely. Six tries, and no cigar. It had been awhile since that had happened.

Then today, it happened again.

Two failures in a row? I don’t think that has ever happened to me before. Sure, these were both of the kind of puzzle I hate — the kind in which it’s not at all hard to come up with a five-letter word using the letters that are still available. The problem is that it’s too easy — there are far too many possibilities, so it’s more about guesswork. Luck comes into play.

But enough excuses. I’m looking toward Saturday with some degree of dread. And I’m thinking I not only need to do more Duolingo lessons each day, but maybe it would be more mentally stimulating to start tackling a whole new language. Italian might be fun. And Russian would be challenging…

Anyway, I just thought I’d give y’all a warning in case, as I start posting on the blog more with the holidays behind us, my posts start to read like the later chapters in Flowers for Algernon.

I don’t think that will happen, but you never know. Meanwhile, I thought it would be nice, for any of you who have not read it, to turn you on to that book, so many years after Mr. Kramberg did me that same favor.

And more importantly, if anyone who reads this knows Mr. Kramberg and where he can be found, I’d like to send him a nice “thank-you” note…

 

 

 

 

I’m losing my photographic memory for trivia!

Huskers

Is that a sign of aging?

Whatever it is, I’m shocked at something I couldn’t remember today.

Someone had said to me that Steph Curry had played basketball at Davidson, which I knew was supposed to impress me, but all it did was cause me to go look up “Steph Curry.” (And it turns out he IS quite impressive).

Because, you know, I don’t do real-life sports. I do frequently enjoy fictional sports (I like the idea of sports more than the reality), so I can tell you all about Roy Hobbs and Bartholomew “Bump” Bailey and Willie “Mays” Hayes and (now that Bryan has me watching “Friday Night Lights”) “Smash” Williams, Tim Riggins and Matt Saracen.

So anyway, defending myself, I boasted that while I don’t know this Curry guy, I can name all the Hickory Huskers from “Hoosiers.”

But then, privately, I tried to do so, and without looking them up, all I came up with was this:

  • Rade
  • Buddy
  • Shooter’s son
  • Ollie
  • Strap
  • Jimmy Chitwood
  • Buddy’s friend who said, “I ain’t no gizzard.”

Best I could do. Which is lame.

Can you flesh out the roster with full names?

You can check yourself against this

team

And look — there’s Merle! I forgot him altogether!…

Coincidence of the day: ‘Lovergirl’

Teena

Yeah, I know it’s probably not really a coincidence, but simply a matter of my brain being alert to something it would otherwise have ignored, but it impressed me when it happened.

Last night, I was catching up on this week’s New York Times crosswords. I zipped through Monday’s and Tuesday’s over dinner, and was doing well on Wednesday’s when I got stuck. So I cheated. I do that sometimes when I know there’s no way I know the answer, and that one word is creating a logjam that’s preventing me from getting several others. I’m not proud of it, but I’d rather do that than not finish the puzzle.

The clue was “_____ Marie, singer of the 1985 hit ‘Lovergirl’.” Five letters. I had no idea. I remember a lot of songs from that year — sort of a big year in the MTV era, as I recall. But not that one. So I Googled “Lovergirl” and found “Teena.” Yeah, I wasn’t going to get that one.Lovergirl

I bragged to my wife about how quickly I’d done the crosswords, but of course confessed that I’d cheated on that one. I said I didn’t recall her. My wife suggested that maybe she was a country singer, which would explain my not remembering. I said maybe so…

This morning, driving in, Michael Jackson’s “Billie Jean.” (I suppose when I had last been in the car, I had gotten tired of some topic on NPR and switched to a commercial station.) Anyway, I got to noticing the rhythm of it, and tried to decide whether that was a human drummer or a drum machine. I decided I couldn’t tell.

Later, while I was eating breakfast, a speaker in the ceiling at Cap City was softly churning out pop music, and the room was quiet, and I heard an intro that caused my brain to go “another ’80s tune,” although I didn’t recognize it. But the genre was unmistakable. As I listened again just now, it seemed to me that someone was trying to sound like Prince.

A moment later, my iPad froze up in the middle of trying to read something, as it does sometimes, and I looked up in irritation, and heard, “I just want to be your lovergirl…”

WHAT!?!?!?

I queried SoundHound, and sure enough, it was “Teena.” I still didn’t recognize the song. As I listened, it sounded a bit more familiar, but there must have been a hundred unremarkable songs that sounded like that in the ’80s.

Anyway, it’s probably not weird, but it felt weird…

Yeah, I know this isn’t the most compelling topic, but it’s what I was thinking about just now, and it involved pop music, although not very good pop music, I admit…

I’ll post something more substantial soon….

Who didn’t know these things about ‘American Pie?’

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As long as I’m going on about the days of my youth…

I was flabbergasted by this piece in the WSJ over the weekend:

Earlier this month, one of the greatest mysteries in rock ’n’ roll was finally solved. The unnamed “king” and “jester on the sidelines” in Don McLean’s iconic 1971 song “American Pie” were revealed to be Elvis Presley and Bob Dylan, respectively….

Whoa, whoa, whoa! Hang on! Greatest mysteries?

Who did not know, soon after the song’s release in the fall of 1971, that “the king” was Elvis and the “jester” was Dylan?

Nobody! At least, nobody who was old enough to take a consuming interest in listening to the radio and who had time on his hands to talk endlessly about such drivel. In other words, nobody who was in college then.

I checked, and I was right — the columnist who wrote that was 3 years old when the song came out. So… maybe this was a big revelation to her, but not to Rob, Barry, Dick or me.

It’s hard to believe it even made headlines. Oh, I see why — McLean just sold the lyrics for $1.2 million. OK.

You know what? Now that I think back, I’m hard-pressed to explain how we knew all that stuff that we knew about the song. There were no social media. There was no Wikipedia. And mass media were firmly in the hands of the older generation, which didn’t care and didn’t engage such topics. Did we get it from DJs on the radio? From Rolling Stone? I don’t remember how we knew; we just did. Or thought we did, anyway…

Happy late Independence Day

By which I mean that it should be celebrated on July 2, the day the Congress took the vote for Independence. But anyway…

Speaking of which, I saw parts of “1776” on the telly this afternoon. It was actually pretty accurate. I was a bit disconcerted to see Benjamin’s father from “The Graduate” as John Adams, but he did OK.

And I say it was accurate because it pretty clearly showed what happened in the Continental Congress — how it was the obnoxious, irascible Adams who was responsible for persuading the Congress to declare independence. Jefferson sat there silent through the debates. And Adams chose him to write the thing, which he was reluctant to do. (The film shows Jefferson eager to run home and see his wife rather than work on the drafting committee. Not sure whether that’s literally accurate, but it’s true to character. Jefferson tended to want to do things when they were convenient to him, while Adams went out and did the hard work.)

It was fun to watch William Daniels’ Adams browbeat the Congress, especially the courtly Rutledge from South Carolina, into making the big decision. The last part I saw was Rutledge singing this song:

Molasses to rum to slaves, oh what a beautiful waltz
You dance with us, we dance with you
Molasses and rum and slaves

Who sails the ships out of Boston
Ladened with bibles and rum?
Who drinks a toast to the Ivory Coast?
Hail Africa, the slavers have come
New England with bibles and rum

And its off with the rum and the bibles
Take on the slaves, clink, clink
Hail and farewell to the smell
Of the African coast

Molasses to rum to slaves
‘Tisn’t morals, ’tis money that saves
Shall we dance to the sound of the profitable pound
In molasses and rum and slaves

Who sails the ships out of Guinea
Ladened with bibles and slaves?
‘Tis Boston can coast to the West Indies coast
Jamaica, we brung what ye craves
Antigua, Barbados, we brung bibles and slaves!

Molasses to rum to slaves
Who sail the ships back to Boston
Ladened with gold, see it gleam
Whose fortunes are made in the triangle trade
Hail slavery, the New England dream!
Mr. Adams, I give you a toast:
Hail Boston! Hail Charleston!
Who stinketh the most?

Rutledge’s main concern was that after independence, that South Carolina’s sovereignty be paramount. Ah, yes, South Carolina was playing that role from the beginning.

Adams, of course, would live to see his own role largely forgotten by the public, while Jefferson was lionized every July 4. Fifty years later, on that very day, they both died.

And now, to take you from the very heights of American statesmanship to the, um, present day, here are some pictures that Lora Prill of ADCO texted to me from the Gilbert Peach Festival, with her comments…

"Lindsey in the parade apologizing for the government being so screwed up."

"Alan Wilson, at least a dozen floats behind his daddy."

"Poor Ted couldn't afford a float."

Remembering (or not) the creative act

This morning on NPR, Nora Ephron was remembered. Here are the opening lines of that report:

Nora Ephron brought us two of the most indelible scenes in contemporary cinema — and they’re startlingly different.

There’s the infamous “Silkwood shower,” from the 1983 movie, with Meryl Streep as a terrified worker at a nuclear power plant, being frantically scrubbed after exposure to radiation.

Then there’s the scene in which Meg Ryan drives home a point to Billy Crystal at Katz’s Deli, in 1989’s When Harry Met Sally. You know — the one that ends with “I’ll have what she’s having.”…

But here’s the thing. On the same radio station over the weekend, I heard Rob Reiner being interviewed on “Wait Wait… Don’t Tell Me!” He directed “When Harry Met Sally,” and he said this about it:

GROSZ: You know, so many of your movies specifically have very quotable lines. From “I’ll have what she’s having,” or, you know, “turn it up to 11,” or, you know, how many times do you ask a waiter for something and he turns to you and he says “as you wish?”

(LAUGHTER)

GROSZ: I mean there’s so many lines from your movies that are quotable. Do you go for that? Do you grab the script and scream at the writer?

REINER: No, no, you know, you just make a movie and you put these things in. And you never know what’s going to – you know, “I’ll have what she’s having” was a line that Billy Crystal came up with in that scene. We didn’t – my mother, you know, is the one who delivered that line…

So which was it? If she were alive, would Ms. Ephron agree with Mr. Reiner’s memory? I guess when a lot of creative people get together and collaborate on something that works and is remembered, it’s sometimes tough to remember who did what.

I know I sometimes have trouble remembering, from my career, whether I came up with a particular idea — or even whether I wrote a particular editorial — because all I know for sure was that I was heavily involved in the discussion.

It’s funny the things you can’t remember, years later. For instance, when I mentioned the other day meeting Barack Obama, it got me to thinking about others I had met. And I remembered the first presidential candidate I covered. It was Jimmy Carter. I remember being excited to be there, not only because it was an exciting thing to be covering an aspect of a presidential election (it was a routine reception in Memphis), but because I really liked Jimmy, and was excited about his 1976 candidacy. I remember a number of details about the event — such as the Secret Service requiring me to take a telephoto lens I’d brought with me out of its cylindrical case, to make sure it wasn’t a weapon — but I realized I couldn’t remember whether I shook hands with Gov. Carter or interacted with him in any way.

Odd that I have no idea about that. Memory is a funny thing.

I was struck by this when I interviewed the late Ted Sorensen, JFK’s legendary speechwriter. In the video below, you’ll see him be unsure about who came up with a certain line, but generously and loyally giving the credit to President Kennedy…