When I was a little kid, around the time I first learned to read, I loved the card game “Authors.” This made a big impression on the adults. They were amazed I “knew” all these writers and their greatest works.
In fact, my mother mentioned it just the other day, and I’m 72 years old. (Which tells me maybe I haven’t been very impressive since then.) I immediately pointed out that I hadn’t read them; I just knew them the way I knew the suits, numbers and face cards in regular deck. In fact, come to think of it, I still haven’t read some of those books. Maybe I’ll take another crack at finishing Moby Dick…
But that’s not my point. My point is that while lots of people write books, that bunch — Louisa May Alcott, James Fenimore Cooper, Charles Dickens, Nathaniel Hawthorne, Washington Irving, Henry Wadsworth Longfellow, Sir Walter Scott, William Shakespeare, Robert Louis Stevenson, Alfred, Lord Tennyson, and Mark Twain — were the ones I thought of at that age as actual authors.
And that hasn’t changed much. Oh, I’ve learned that the term technically applies more broadly, extending even unto the writers of self-help books, I’m still sparing with my use of the word. I’m even more sparing with my personal definition of writers worth reading.
And my list has a lot in common with the card game. You’ll note all most of those folks — with the glaring exception of Shakespeare — were active in the 19th century. Which didn’t bother me then — I wasn’t demanding that members of my generation be included or anything like that.
And over time, my adult tastes developed along similar lines. And not just with regard to literature. Consider church music. When I’m in Mass and hear a hymn, or would-be hymn, that really stinks (and yes, I sometimes do have such judgmental thoughts during Mass), I check in the hymnal to see who wrote it. And it pretty much always turns out to be someone writing within my own lifetime. My generation may have come up with the Beatles, and the Beatles were awesome, but they weren’t shooting for timeless sacred music. Except maybe with “Let it Be.”
I’ve mentioned before how stupid I think the annual “books of the year” lists are (and hey, it’s that season again!). I probably won’t ever read any book written within the past year, or if I do it will be by chance — simply a matter of a contemporary work being worth the trouble. The thing that gets me is that in order to compile such a list, or critique the list as a reader, you have to have read scores or even hundreds of books right off the press.
Which is an enormous waste of time.
Let the old man tell you, boys and girls, life is very short (and there’s no ti-i-i-ime…, just to give the Fab Four their due again). If you look over the list of works of literature written in English (and that’s all I’m thinking about here, because that’s a long-enough list on its own) over the last few centuries (before that, it’s hardly English), you will probably never get around to all the books that you should read (for your own enjoyment, and for the betterment of your mind and soul). Not in this life. Sure, lots of people read faster than I do, but still… well, this post is about me running out of living authors, not you.
All that said, peer pressure to keep up with the moment being what it is, especially for those of who lived through the frantically kinetic culture of the ’60s, I do like occasionally to trot out a short list of actual living writers that I’m really into.
But I’m running out of them.
Once, I could have claimed, if I wanted to:
John le Carré
William Faulkner
Alex Haley
Joseph Heller
Ernest Hemingway
John Hersey
Harper Lee
Patrick O’Brian
Philip Roth
J. D. Salinger
John Steinbeck
Hunter S. Thompson
Leon Uris
Kurt Vonnegut
Tom Wolfe
… those just being a few that come immediately to mind. And some of them — such as Faulkner, Hemingway, Steinbeck and even my great fave O’Brian — died before I read them. OK, to be honest, I still haven’t finished any novel by Faulkner, but everybody tells me he’s great.
And now we’ve lost another one. He died several months ago, but I just found out about it the other day. I had just finished rereading Rose — yes, again — and went to Google something about it, and found out that Martin Cruz Smith was dead.
That’s a real loss to letters — to the kind of stuff I like, anyway — and that’s what caused me to write this post.
I mean, who is left for me to really, really appreciate?
There’s Nick Hornby, who wrote such brilliant modern classics as High Fidelity — which inspired this blog’s Top Five lists.
And then Roddy Doyle comes to mind. You know, the Irishman who wrote The Commitments. But as brilliant as that film was, the book was — and this flies in the face of the cliche — not as good at the film. Because you couldn’t hear the music. I think Doyle’s best is another book from the Barrytown Trilogy, The Snapper. I can also recommend A Star Called Henry.
I read a piece Hemingway wrote, as a journalist, when Joseph Conrad died, in which he engaged in some self-flagellation for, as he put it, having used up all his Conrad. He’d read all Conrad had written, and now there would be no more. I could understand what a bad feeling that would be.
Happily, I still have some Doyle and Hornby to read — and come to think of it, plenty of Smith and O’Brians, and even a le Carré or two left.
But I need to come up with some more living writers I dig, before I run out completely…


















In late 1941, Harry Niles owns a bar for American and European expatriates, journalists, and diplomats, in Tokyo’s entertainment district, called the “Happy Paris”. With only 24 hours until Japanese fighters and bombers attack 

















