I’ve mentioned my neighbor Mary Burkett before. We had one of her campaign signs in our yard ahead of the last election. She won election to the Lexington District 2 school board.
Hers was one of five signs we had in our yard, four of whom won, but no one running for school board won as big as Mary did. And if you knew her, you would understand why.
But Mary’s more than a pleasant neighbor and someone with real concern for our schools. Several years back, she took on a new avocation: She started drawing portraits of children who died in the Holocaust. This was in January 2017. Over the course of the next seven months, she produced a collection she calls “Beloved: Children of the Holocaust.”
Why did she do this? She explains:
I felt that not only their lives, but their voices had been taken from them, and I wanted to give them a chance to speak to the world. Simply put, I wanted to honor their precious little lives. My hope is that you will be blessed by them as I have been.
She had no great ambition in taking this on. She doesn’t even see herself as an artist. But her work has been celebrated. Three years ago, a film about her project was shown in Greenville at the Peace Center. If you missed that, you can find it on Amazon Prime.
Anyway, I suppose that’s enough to set up what I wanted to tell you about. I saw this a few days ago on her Facebook page:
I’m going to open us up for a little discussion today, but please remember not to name specific politicians or parties from any country.
Here we go… A major university in the US recently denied a faculty request to show my exhibit, In the Land of Wooden Shoes. Their reason? It is too political…now if you have followed Beloved for any time at all, you know that this work is purposefully non-political.
So, here’s our point of discussion –
How does this type of action relate to Germany in the 1930s, if at all? Perhaps it is simply prudent on the part of the university not to exhibit historical portraits that might be deemed controversial. On the other hand, does the silencing of history matter and where might it lead?
We have a large worldwide audience here; let’s see what people think…
When I called Mary to ask about this, she explained that “In the Land of Wooden Shoes” is a sort of offshoot of her initial “Beloved,” and is “a joint project between myself and the Anne Frank Center at USC.” (Mary was a recipient of the Anne Frank Award in 2024.) It consists of six portraits of Anne at different ages, plus 20 of other children taken from the Netherlands by the Nazis and sent east to their deaths. The portraits are accompanied by biographies.
That’s it. “I don’t tell people what to think. There’s never a punch line.
Look at the pictures, read their stories, and walk away with what you perceive…. I don’t show and don’t talk about numbers of trains” or other details of the Final Solution.
The exhibit has been presented to 5th-graders without causing a problem. Yet for a “major university,” it was too much. Too “political.” (Speaking of universities, though, there was also a showing at the South Caroliniana Library.)
The thing is, Mary is very, very careful to stay away from politics. Note her appeal to commenters “not to name specific politicians or parties from any country.” Makes her kind of the opposite of me, huh? But I appreciate what she’s trying to do, and it’s a version of what I’ve praised and called for in the past. It’s a worthy goal for me, and for all of us, if we’ll only embrace it.
Yet in her unassuming work, she’s run into “politics” in recent years. Take that Facebook page. Before Oct. 7, 2023, she had a huge following — about 5 million at one point, from all over the world. Then, it dropped to about 20,000. Apparently, there were complaints that it was “offensive.”
She thought the drop was something Facebook was doing deliberately. Then she hears from the social medium that “Because of your high-quality content, we’re going to extend your reach.”
Her following has gone back up (to 53,000 at the moment), but is “nowhere in the range of where it was.” She is sad that “Very few from Europe, Canada, Australia comment any more.” She suspects they’re not able to see it. This is because she frequently gets FB messages from abroad asking where her page went.
Note that Mary doesn’t name the university or the faculty member who proposed to show the exhibit. The last thing she wants to do is hurt anyone. I didn’t press her on that. I just wanted to share what I’ve shared here.
By the way, at her website, you can learn about some other projects she’s taken on, such as “Beloved: Legacy of Slavery.”



































