Category Archives: Popular culture

The Fix lists Top Five nastiest SC races ever

We are truly legendary, to the point that political junkies sit around up in Washington dreaming up Top Five lists about us, a laHigh Fidelity, such as “The five nastiest South Carolina races ever.”

At least, Chris Cillizza at the WashPost‘s The Fix does.

And it’s a pretty good list even though it’s awfully heavy on stuff that happened during my own career. He does, to give him credit, give a mention to the legendary Preston Brooks, but the Top Five are all 1978 or later.

Given that limitation, it’s a good list. He counts them down thusly:

5. 2002 Republican governors runoff: This is the one I wrote about yesterday (at least, I wrote about the GOP effort to come together AFTER this nasty battle), between Mark Sanford and Bob Peeler. Peeler’s campaign, run by party regulars, was inexcusable, as Cillizza correctly recalls: “In one particularly memorable Peeler ad, a Sanford look-alike is shown stripping a soldier down to his underwear to illustrate Sanford’s alleged attitude toward military funding.” Yep. I remember it well.
4. 1978 4th district race: The abominable campaign against Max Heller, featuring anti-Semitic push-polling by Carroll Campbell’s pollster. I was in Tennessee at the time covering Lamar Alexander and Jake Butcher, but I’ve heard plenty about this from my good friend Samuel Tenenbaum over the years.
3. 1980 2nd district race: Also before I came home to SC, but I knew the players later: Lee Atwater, on behalf of Floyd Spence, told the press that Tom Turnipseed had been hooked up to “jumper cables” — a reference to shock treatments he had received for depression as a teenager.
2. 2010 Republican governors primary: That’s the one we just lived through. Or rather, are still living through. If we live.
1. 2000 Republican presidential primary: The filthy tricks that George W. Bush’s campaign used against John McCain to stop his candidacy and give Bush the momentum to go on and win the presidency. Not sure this was necessarily the nastiest by SC standards, but it certainly had the most profound impact on the world. I firmly believe that otherwise John McCain would have been our president on 9/11 and thereafter, which would have been better for us all. That knowledge of how South Carolina let the world down was very much on my mind when we pushed for McCain’s victory in the 2008 primary. (I also felt responsible because the newspaper — over my strong objections — endorsed Bush over McCain in 2000.)
They keep talking about us. And they will continue to do so, until we turn our backs on all this stuff. Which is why I’m rooting for Vincent Sheheen.

Watch me tonight on SC ETV with Mark Quinn — but WITHOUT Nikki Haley

Just taped a segment over at ETV with Mark Quinn for tonight’s installment of “The Big Picture.”

Watch it at 7:30 p.m. on WRLK, as well as on ETV-HD. The show will also air on the radio Friday at 1 p.m.

My understanding is that Gresham Barrett will be on the show as well, although he wasn’t on with me. My part was just Mark and me shooting the … stuff… about Tuesday’s results. We talked Nikki Haley, Vincent Sheheen, Alvin Greene, and other stuff.

However… Nikki Haley, last I heard, will NOT be on the show. In fact, I was told that her campaign had not even responded to any of ETV’s invitations. I asked “What did you try?” and the answer was, “Everything.” Multiple times, in case an e-mail or something got lost.

Could it be … and I’m just speculating here… could it be that Nikki doesn’t want to face the folks at ETV because she plans to vote to sustain the governor’s veto of their funding next Tuesday?

Nahhhh. Probably just a miscommunication. When somebody with her campaign sees this (and apparently someone over there is watching, since it took no time for them to set me straight last week — which I appreciate), no doubt they’ll call ETV back, and you’ll see her on the show tonight.

Maybe.

Just for fun, a bit of philosophy football

Well, I have a front page, but if I’m ever going to have a full virtual newspaper, it must have a sports page, right?

Right.

So it is that I thought I’d share this wonderful Monte Python skit. Maybe you’ve seen it, but I never had. At the end of a long day, I looked it up tonight, having read about it this morning in a book review in the WSJ, to wit:

In a blissfully funny, vintage Monty Python sketch, there is a soccer game between Germany and Greece in which the players are leading philosophers. The always formidable Germany, captained by “Nobby” Hegel, boasts the world-class attackers Nietzsche, Heidegger and Wittgenstein, while the wily Greeks, captained by Socrates, field a dream team with Plato in goal, Aristotle on defense and—a surprise inclusion—the mathematician Archimedes.

Toward the end of the keenly fought game, during which nothing much appears to happen except a lot of thinking, the canny Socrates scores a bitterly disputed match winner. Mayhem ensues! The enraged Hegel argues in vain with the referee, Confucius, that the reality of Socrates’ goal is merely an a priori adjunct of non-naturalistic ethics, while Kant holds that, ontologically, the goal existed only in the imagination via the categorical imperative, and Karl Marx—who otherwise had a quiet game—protests that Socrates was offside.

What, you were expecting Gamecock football? Perish the thought. You want that, go elsewhere…

South Carolina continues to entertain — which is why I voted for Vincent

The Daily Show With Jon Stewart Mon – Thurs 11p / 10c
Thank You, South Carolina – The Race to Replace Disgrace
www.thedailyshow.com
Daily Show Full Episodes Political Humor Tea Party

Some alert readers brought my attention to Jon Stewart’s latest (well-deserved) mockery of South Carolina. Punch line, as in previous celebrations of our state (such as this one, and this one): “With all the terrible things going on in the world… Thank you, South Carolina! We really needed this!”

Entertaining, yes. But I’m tired of my state being a national joke, which is why I voted for change today.

This campaign’s theme song: ‘Dirty Laundry’

Heard Don Henley’s “Dirty Laundry” on the radio this morning, for the first time in awhile, and it just seemed such a perfect accompaniment for the closing hours of the GOP primary.

This recent (May 20) video is low-quality — bootleg, I suppose — but you can sort of hear the lyrics:

Dirty little secrets, dirty little lies
We got our dirty little fingers in everybody’s pie
Love to cut you down to size, we love dirty laundry

We can do the innuendo, we can dance and sing
When it’s said and done, we haven’t told you a thing
We all know that crap is king, give us dirty laundry…

Can celebrity culture GET any weirder?

Noting this People headline (brought to my attention by Slate):

Elton John Sings at Rush Limbaugh’s 4th Wedding

… I find myself wondering, can celebrity culture get any weirder than this?

And the answer is, yes it can. Just read the rest of the piece, such as the guest list (ranging from Karl Rove to James Carville, thereby supporting my thesis that uberpartisans are all the same), or the fact that Limbaugh’s new wife is a descendant of John Adams, my favorite founder. What would John and Abigail have thought?

A Memorial Day truce, and other reflections

As I was firing up the grill about midday, between rainstorms, I glanced at Twitter and was pleased to find this:

RT @AntonJGunn: Remembering my brother Cherone Gunn and his ship mates this Memorial Day.http://twitpic.com/1srfpw

For those of you not yet addicted to Twitter, what’s going on there is that Joe Wilson was reTweeting — that is, sharing with all of his 14,000 followers, Anton Gunn’s sharing of his memory of his brother, Cherone L. Gunn, who was one of the sailors killed on the USS Cole when it was attacked by al Qaeda the year before the 9/11 attacks.

Yes, that was Joe “You Lie” Wilson honoring the brother of the same Anton Gunn whom GOP candidate Sheri Few attacks as a dangerous socialist.

So it is that we set aside our pettier conflicts in the memory of something higher and better.

We all marked the day in our own ways. Burl went by Punchbowl to honor his parents and Ernie Pyle. For my part, I cooked out burgers and hot dogs for as many members of my family as could make it (only three of my kids, but all four granddaughters). Then I made another run with the truck to help one of my daughters get moved out of an apartment. Then I took a nap.

When I woke up, just a little while ago, I watched the end of Clint Eastwood’s “Flags of Our Fathers.”

It ended a little differently from the book, which I just finished reading last week. It ended with the scene of young “Doc” Bradley and some of the other boys splashing in the surf at Iwo Jima. After they had raised the flag over Mt. Suribachi, in a brief interlude in the fighting, some officer had the quirky idea of letting the guys go for a swim. There were weeks of nightmarish fighting against an unseen enemy yet to come, and three of the six flagraisers would be killed before it was over.

The point the narrator was making as we watched them was that they would probably rather be remembered that way, rather than as heroes. Yes, they were heroes, although not for raising a flag. They were heroes for all the other things they did on Iwo Jima, before and after that. Doc Bradley won the Navy Cross for exposing himself to withering enemy fire to treat a wounded Marine (he was a Navy corpsman). He never told his family about the medal; they learned about it after he died in 1994. He didn’t want to be known for that. He just wanted to live his life, build a business and raise his family.

The narrator closes with some words about how they didn’t perform their acts of heroism for flags, or their country, or for abstractions. They did it for each other. Which is what researchers who have studied the way men act in combat have discovered over and over. It’s all about the guy next to you. It’s about your buddies. Nothing profound about that, except that most people who’ve never been in combat probably don’t know it. The implication in this case is that once you’re separated from those buddies, by death or distance, the “heroism” doesn’t mean so much. And it’s just plain bizarre to be celebrated as heroes in the midst of the hoopla of the 7th Bond Drive, the way Bradley and Rene Gagnon and Ira Hayes were. Ira never could handle it, and ended up drinking himself to death. Rene never could get over the fact that his fame didn’t lead to fortune, and was disappointed. Only Doc Bradley seemed to get it together and live a normal, full, satisfying life after the war. Even though he would whimper and cry in the night, and never tell his wife why.

When forced to speak before crowds in the years after the battle, Bradley and the others would tell the people that they weren’t the heroes; the heroes were the ones who didn’t make it. Guys like Mike Strank — or, to go beyond the six, the most famous hero to die on that cinder: John Basilone, who had received the Medal of Honor for his actions on Guadalcanal and never had to fight again, but insisted on going back, and died on the first day of the battle for Iwo (earning the Navy Cross in the process). But that’s the conventional notion of a hero, and not necessarily what they meant.

Talk about messages… The instant I turned off the DVD player from watching “Flags of Our Fathers,” the TV switched to Henry’s “Vultures” ad, just to remind us of the nonsense facing us in the coming week.

What a bringdown, from heroism and the finest selflessness our nation is capable of, to that, which is if anything an appeal to the opposite…

Punchbowl National Cemetery in Punchbowl crater on Oahu.

I’m in an elevated state…

… listening to Elvis Costello’s brilliant demo version of “Green Shirt,” which would definitely make my Elvis Top Five list. Nothing behind him but that great acoustic guitar rhythm:

Better cut off all identifying labels
Before they put you on the torture table

‘Cause somewhere in the “Quizling Clinic”
There’s a shorthand typist taking seconds over minutes
She’s listening in to the Venus line
She’s picking out names
I hope none of them are mine

Truly, truly awesome. I am re-energized; I can now get through the rest of the day.

I’ll say this for ‘Avatar 3D’: It’s better than ‘Inglourious Basterds’

At the very last moment, as the DVD was being released, I went to see “Avatar” in 3D last Thursday night.

It certainly wasn’t as good as its besotted admirers would have it. Nor was it as bad as Jeff Vrabel claimed, although I enjoyed his iconoclastic take on it.

On the plus side, I’ve never seen anything like it, in terms of the visuals. It was richly beautiful, in spite of the Viewmaster distraction of 3D. Which is better than it used to be, but still not convincing — yeah, it looks like things exist in more than one plane, but the items that pop out in front seem themselves to be flat, 2D, like figures in a pop-up book, not realistic at all. You are conscious of the artifice of it at all times (not to mention the fact that anything I’m not looking straight at is out of focus — although maybe that was the effect of wearing 3D glasses OVER my prescription specs). If you want to make something seem real, give me the chiaroscuro cinematography of “The Godfather,” which went much further toward making me feel I was there than these cheap tricks.

I’ll also say the premise, the central plot conceit, is also intriguing — the idea of a character projecting his avatar into a reality (as opposed to a computer-generated virtual reality) that he can’t otherwise enter. Although I have to say that it SOUNDED better, when I read it in advance, than it worked in the film.

On the other hand, there’s the plot. As my son said as we left the theater, he thought it was better done in “Dances With Wolves.” I wouldn’t condemn it quite that strongly, since I regard “Dances With Wolves” as one of the worst films ever made (although nowhere near as bad as the David Lynch abomination, “Dune”). The problem with “Wolves” was it’s triteness, exacerbated by the fact that Hollywood acted as though it was profound and original. (Folks, Mark Twain thought the whole “Noble Red Man” theme had been done to death by James Fenimore Cooper in the first half of the 19th century, and I’m inclined to agree.) At least “Avatar” gives it a new twist, and the dazzling visuals help you forget that you’re watching yet another screed on how wicked white men are — especially corporate white men and military white men. Got it. People in positions of power do bad things sometimes. Noted.

It was particularly interesting for me that I saw this in the middle of reading Flags of Our Fathers, a thoughtful examination of a time in which this country actually celebrated its military and its core culture, to the point of exaggeration that was painful to the subjects of adulation — especially the real-life Noble Red Man Ira Hayes, who ended up drinking himself to death back in the days before we invented the diagnosis of Post-Traumatic Stress. (Fascinating anecdote illustrating the complexity of actual heroism: When fellow flag-raiser Rene Gagnon was identified and was about to be whisked from the troop ship to Washington to be celebrated, Hayes warned him that if Gagnon told the brass that he, Hayes, was also one of the flag-raisers, he would kill him. When Gagnon ratted him out anyway, Hayes didn’t kill him, but never spoke to him as he gradually killed himself.)

But if you set all that aside, “Avatar” was quite enjoyable. I wouldn’t mind seeing it again, without the distraction of 3D. I’m leaving it in my Netflix queue.

Speaking of Netflix, I’ll say this for “Avatar”: It’s far better than the execrable “Inglourious Basterds.” I’ve never liked Tarantino, but this took my dislike to a new level. Even as satire, even as self-indulgence, this was badly done, as Tarantino went out of his way to trample on any chance that the film had to redeem itself on even the lowest levels. The title, complete with deliberate misspelling, does capture the film perfectly. I’d far rather see a trite re-imagining of the Noble Red Man theme than this desecration of everything in sight, including the Holocaust. That’s all I’m going to say about it.

On the other hand, to end on a high note, the wife and I (thank goodness I wasted my time on “Basterds” while she was out of town) watched “Fever Pitch” — the original with Colin Firth, not the American remake — Saturday night, and it was wonderful. It made me wonder how much better “High Fidelity” might have been had it adhered to the original setting of Nick Hornby’s masterpiece. But then there would have been no Jack Black as Barry, and pop culture would have been poorer…

Did you see “The Hurt Locker”? What did you think? (I gave it 3 stars)

Watched “The Hurt Locker” last night. It was good. I’m going to give it three stars on Netflix.

But you know, I would think that a “Best Picture” winner would be a four-star, if not five. So I was disappointed on that count. Among movies I’ve seen recently, it was better than “Men Who Stare At Goats,” “Public Enemies” and “The Invention of Lying,” but not as good as “Up In The Air” (which was awesome) or “Lars and the Real Girl.”

Not that I expect much from the recommendation of Oscar. I’ve pretty much discounted the judgment of the “Academy” ever since it chose “Shakespeare In Love” as Best Picture over “Saving Private Ryan” and “Life is Beautiful.”

SPOILER ALERT: While the makers of this film worked hard to avoid conventions and surprise you, I saw the surprises coming, and saw how the director was working unsuccessfully to prevent me from seeing it. For instance, in the first scene, as you’re being introduced to this bomb-disposal unit, the viewer is manipulated into seeing a certain character as the protagonist: The camera lingers more on his face, he does and says more to reveal character, his words and actions drive the action forward. Also, he’s the only actor I’ve seen before, although I couldn’t quite place him (turns out it’s Guy Pearce, who starred in the very impressive “Memento”). And of course HE is the one killed, which hits you with more impact than if he were a faceless extra, and brings home to you from the very start that any of these guys could be blown to bits at any moment through the rest of the show. Well done, but I saw it coming.

Other things are done well: David Morse in a bit part as the overbearingly enthusiastic, ubermacho colonel who is deeply impressed at an exhibition of bravado by one of the main characters. (That guy always impresses me, from the bad cop on “House” to understated dignity he brought to George Washington in “John Adams.”)

It’s arty — which might be what appealed to the Academy. And thankfully, it’s free of antiwar preachiness, which I have to admit I sort of expected, given Hollywood’s enthusiasm. (Yeah, some might see the violence and the constant tension not knowing which of the civilians around you is really an insurgent as being an argument against our being there, but it’s exactly what I expect war to be like. Antiwar folks probably expect folks like me to think war is like a John Wayne movie, but I probably have an uglier picture of it in my mind than they do, because I read and think about it more. I’m reading Flags of Our Fathers at the moment, and rewatching “The Pacific.”)

But in the end — and yeah, I saw the ending coming, too (you knew what that guy was going to do) — I’m just not going “Wow.”

Have you seen it? Thoughts?

Hey, I KNOW that idiot. Don’t you?

A friend forwarded to me one of those things that make their rounds on the Internet, a serious of anecdotes labeled “Idiot sightings.” They were funny, but they made me feel bad because, well, they were mostly aimed a working-class people who may NOT be as smart as the average person, and it felt creepy to me to see them made fun of… even if their existence is apocryphal (for some reason, a lot of them were in Kanas — maybe that’s where the e-mail originated).

But I will share this one, since it was about an empowered management type, presumably a college graduate. Since I spent most of my worklife in management (until being laid off), I figured it was OK to laugh — you know, like black rappers being allowed to use the N word. Sort of. Anyway, it went like this:

At a good-bye luncheon for an old and dear coworker. She was leaving the company due to ‘downsizing.’
Our manager commented cheerfully, ‘This is fun. We  should do this more often.’
Not another word was spoken. We all just looked at each other with that deer-in-the-headlights stare.

The thing that got me about this story is, I KNOW that guy.

Don’t you?

Top Five Sports Movies Ever

This post was inspired by my having inadvertently run across someone else’s list of best sports movies. There are several others out there — such as this and this and this — if you want to go look. My own may be incomplete, because I have yet to watch “Raging Bull” all the way through (I’ve got the DVD, I just need to block out the time), and I really need to go back and see “Body and Soul,” which I may have seen once when I was too young to appreciate. Those are the two that crop up on other people’s lists that I haven’t adequately vetted.

But unless one’s life is over, one’s Top Five list is always incomplete, right? So here’s mine:

  1. Hoosiers (1986) – This just has it all – the more or less obligatory underdog storyline, the nostalgia, Gene Hackman (in his best role ever), Dennis Hopper (ditto, and then some – he’s the best thing in it), Barbara Hershey (and not a seagull in sight), and a team of non-actors who succeed as no actors could in making the action more real than real. You may surmise I have a particular affinity for a story about a fiftyish coach in need of professional and personal redemption (starting with a job). And yet, I was first impressed with that theme 24 years ago, and even then there was a personal identification. And I suppose we could have a long discussion about the difference between White Ball and Black Ball, and the nostalgic pleasure that a gray-haired White Guy might get from watching some basketball from back in the days when traveling was still against the rules, and everybody wore black Chuck Taylors. But beyond all that, just an awesome flick. And don’t forget, it’s based (loosely) on a true story.
  2. Rocky (1976) – When this came out, it was the first new film I could remember as plain and simple and sincere as this. And there’s been little to touch it since. This is like a plain granite block of a movie – the basic, unadorned stuff from which all good movies that touch the heart are made.
  3. The Natural (1984) – Thank goodness they went all Hollywood on this one, and slathered on the gauzy sentimentality, because it was exactly what this story needed. In Malamud’s novel Roy Hobbes was a brutish antihero, a case of natural talent invested in an unworthy creature, not a guy you particularly wanted to see succeed (and he didn’t, by the way; the ending leaves you feeling dead and empty inside). Redford’s frayed farmboy stoicism, modified only by a tendency to get misty-eyed and lyrical on the subject of baseball, worked perfectly. The ultimate baseball movie, when you’re feeling reverential about the game (when you’re feeling less so, go with “Major League”). Favorite little slice of life: Pop and Red in the dugout during practice, trying to stump each other with “Name that Tune.”
  4. Vision Quest (1985) – As a former high school wrestler myself, I can attest this is THE definitive high school wrestling movie. OK, there isn’t a lot of competition, but that just makes me grateful that when Hollywood made this one attempt, they got it right. Matthew Modine perfectly expresses the awkwardness of being an intelligent, introspective young guy trying to figure out life (favorite example: – he’s trying to impress the girl by complimenting her musical taste and when she says it’s Vivaldi, he says, “Yeah, Vivaldi – he’s great” in a way that utterly fails to convince that he’s ever heard of the guy. Another: He confides to his teacher that he thinks he’s suffering from priapism. Also, before I let you out of this parenthetical, the scenes shooting the bull with Elmo the dishwasher are gems.), and while “coming of age movies” constitute one of Hollywood’s most overworked genres, this is possibly the best such attempt ever. While there was never any danger of my becoming state champ and I never had a hot 21-year-old semi-bohemian chick come to live with me when I was in high school, this feels like what life was like at that age.
  5. Chariots of Fire (1981) – Just thought I’d throw in a posh, arty, nonAmerican film to round out the five. Not that this one doesn’t deserve the honor. Like all good sports flicks, it displays what is best about sport, in terms of its capacity to lift the human spirit (as Elmo explained to Loudon in the clip linked above). Favorite scene – the quiet little homily Eric Liddel offers in the rain after a race, which is as powerful an expression of faith as you’re likely to find in a major Hollywood movie.

That’s my Top Five, and I’m sticking to it — for the moment. But a couple of those choices were a little arbitrary in light of the competition. And as much as I want to preserve the unities of Nick Hornby’s Top Five concept, here’s what I would include also in the second five of a Top Ten:

  1. Breaking Away (1979) – Almost made the Top Five, but it seemed that it was only marginally a sports movie. Wonderfully goofy film about a young guy trying to find his place in the world and meet chicks, and the lengths he’ll go to. Kathryn may be offended by what the kid’s Dad says about “all them “eenie” foods… zucchini… and linguini… and fettuccine. I want some American food, dammit! I want French fries!”
  2. The Endless Summer (1966) – The classic surfing quest movie. The documentary travels the globe in search of the perfect wave. Which is what all of us surfers (and I’m really stretching the definition of “surfer” when I say “us”) would do given the time and money.
  3. Major League (1989) – Also almost made the Top Five, but I only wanted one baseball movie there, and this one wasn’t reverential enough. But this one captures how much FUN the game is, both for players and fans. Favorite line: Bob Uecker’s gloriously goofy hometown-announcer’s understatement when he describes a pitch that goes about six feet astray as “JUUUUST a bit outside…”.
  4. Tin Cup – (1996) Throw me out for including a Kevin Costner flick, but this is WAY more apropos than “Caddyshack” as an evocation of what golf is about. And it’s got Cheech in it, advising Cup that he can win the bar bet with “a hooded four-iron.”
  5. Eight Men Out (1988) – Nice treatment of a key chapter in real-life baseball mythology, helping you understand how the Black Sox scandal could have happened, and how Shoeless Joe could have gotten caught up in it. D.B. Sweeney’s Jackson is a thousand times better than Ray Liotta’s generic effort in the overrated “Field of Dreams.” A great cast, including John Cusack and Charlie Sheen, and a great baseball movie. Say it ain’t so, Joe.

You’ll note that all of my Top Five are from the 80s except for “Rocky,” which just missed that decade by four years. And if you drop out “Endless Summer” and “Tin Cup” (which would stretch the span to 30 years), my whole Top Ten covers a 13-year period, from 1976 to 1989. I don’t know what it is about that period. Maybe it’s me. Maybe I was particularly impressionable. Or maybe it’s that film-making reached just the right pitch during that era. “Rocky” came along when irony had taken such a hold that such a simple, sincere film seemed a throwback, although with modern grittiness — and to some extent that describes something all of the best ones had in common. It’s hard to imagine a character as layered and conflicted as Norman Dale in a movie made in the 30s or 40s (and absolutely impossible in the 50s). Hollywood didn’t think enough of its audiences then. Movies were less frank, less realistic. There’s no way, for instance, a character would have been as obsessed with his sexuality (in a healthy way) as Loudon Swain in an film made before “The Graduate.” Not that that’s everything; it’s just an example. Except for wonderful quirky films like “Here Comes Mr. Jordan” (far better than the remake “Heaven Can Wait,” by the way), sports figures were just a little too monolithic, and their treatment too hagiographic, for my latter-day tastes.

Or maybe there’s some other explanation. In any case, these are the ones I see as best. What would be your picks?

I was leaning toward The New Normal, but it’s becoming too popular

They’re wearing out my name before I’ve even adopted it.

I was leaning strongly toward “The New Normal” as the name for my band — you know, the band I’m going to start once I get the name and the playlist all worked out, after which I’ll start recruiting bandmates — but it seems like everybody’s using it every time I turn around, such as here and here and here. If only I had copyrighted it earlier — I would have licensed it to be used only by the band itself, and other people who have paid for the right by, for instance, losing their jobs in this Great Recession. Yeah, I know we have this free speech thing in this country, but I think there should be a rule that you don’t get to say “The New Normal” unless you’ve lost your job.

But I didn’t act quickly enough, mainly because of my great indecision when it comes to picking a name. I could probably decide to go to war, were I a president or a king, a LOT more quickly than the almost four decades I’ve been pondering band names.

Over the years, I’ve considered:

  • The Cotton Pigue Mentality — This was inspired by a certain county official in rural West Tennessee back in the late 70s or early 80s. Trouble is, this would have to be a bluegrass or progressive country band, which would eliminate a lot of my playlist. Also, I would have to have my friend Richard Crowson, the best picker of banjo, mandolin and guitar I know, and he lives plumb halfway across the country, in Kansas. Richard was there when we came up with the band name, so he shares the rights.
  • Citizen Arcane — This was a sobriquet given me by the late Delores Ballard, my dear friend back at The Jackson Sun in the early days of my career. I got that handle because I knew a lot about really obscure, unimportant stuff, and I suppose I was kind of overbearing about it. Delores was generous with nicknames. She also called me “Wa-Wa,” which has possibilities for a band, and “Percival Pedant,” for my insistence as an editor on precision. That last was just way too uncool to make the list.
  • Prussian Blue — It’s a color. In fact, it was one of the first synthetic pigments, whatever that means. I think I ran across it in a dictionary once. I liked the tension between a word with harsh, militaristic overtones (picture a Prussian army officer with a Heidelberg scar) and the dreamy “blue.” Unfortunately, the name was taken by a white nationalist pop duo. I am not making this up.
  • Wireless Cloud — The dream that apparently will never be realized here in South Carolina, since all of our legislative sessions are all about Mark Sanford, rather than legislation.
  • The Irreconcilables — This was a band idea I had very briefly, but dropped like a hot potato after I’d thought about it for 30 seconds. It would have included such politically irreconcilable local musicians as James Smith and Will Folks. I decided that normal bands have enough trouble with artistic differences; why buy extra trouble?
  • The Romeo Clause — this was from a loophole in SC law on the age of consent, which essentially held that you couldn’t be charged for having sex with a minor if you too were a minor. You know, like Romeo and Juliet. Very South Carolina. Disgusting, but I liked the name.
  • Splash Blend — If you recall, there was a brouhaha between Big Oil and the jobbers over whether gasohol had to be blended by the oil companies at the refinery, or whether they could be “splash blended” in the wholesalers’ trucks. Sounded like a band name to me.

I’m sure I’ve forgotten some of the names. Maybe y’all have some better ideas.

Julie & Julia & me

Tonight, after we had done all the cooking we could do the night before, my wife and I went to see a movie. Actually, to be more accurate, my wife had done all the cooking at our house, except for a special-recipe cake I made for myself (no wheat, no dairy, no eggs), since I can’t eat the other desserts we’ll be having.

We went to the dollar-movie house to see “Julie & Julia.” Actually, it used to be the dollar-movie house. Now it’s $2.

Anyway, we went to see the movie, and it was cute and all that, but a bit frustrating for a blogger such as myself.

It’s about a woman who does a blog with a gimmick — she’s going to cook all the recipes in Julia Child’s famous book in a year — and the blog becomes wildly popular, and she gets a book deal, and it’s made into, you guessed it, a movie.

And the thing is, that’s not going to happen to me, which made me a little sad. I don’t have a gimmick. And I don’t have an obsession that thousands of people will resonate to — at least, I’m not aware of one. I’m not even particularly interested in such things. I know the kinds of things that are engaging and commercial, and I’m not that into them.

The obsession that the blog of the woman in the movie was about was food. This is a very chick thing. Excuse me, ladies, but women get excited about food as though it were sex or something. Some men do, too, but I am definitely not one of those men. My diet is limited by my allergies, of course, and that’s part of it, but I’m just not a foodie at heart anyway. I will fully enjoy my Thanksgiving dinner tomorrow, but then I’ll take a nap and not think about it any more. I’ve tried waxing enthusiastic about Dixie Lee field peas and candy pumpkins, but I definitely could not imagine blogging exclusively about such a limited subject. (Foodies don’t think food is a limited subject, but there it is…)

Women are always starting wildly successful blogs, read by other women, about food and shopping and their kids and such, but I’m just not that kind of blogger. For that matter, I’m not into the kinds of things guys usually obsess about, either. Sports, for instance. Sports has the potential for a guy to be the kind of blog money-maker that food and shopping are for women. But I’m not, by American standards, into sports.

So what do I have? Well, I’m really, really into those Aubrey-Maturin novels, and I think it would really be cool to spend a year sailing the world in a square-rigged ship, living on dried peas and salt pork, attacking and sinking the king’s enemies, and blogging about it. But I don’t think it’s really feasible. The obstacles are pretty significant.

I’m really into my grandchildren. But cute pictures I take of them would probably wear thin with my readers.

Then, there’s the fact that I am an actual unemployed guy, the epitome of this economic situation. And the truth is, I have not really tapped into that subject. I don’t tell y’all most of what I’m thinking and experiencing because, well, it’s personal. If I went into perfectly frank detail about what this experience is like, it could be interesting. But it could also chase away every job prospect I have. And I can’t imagine it being commercial. Who pays for depressing? I sure wouldn’t. I mean, I’m living it, and I’ve frankly had enough of it.

So anyway — it would be great if I could come up with a gimmick that would make this blog pay off in a big way. Suggestions, anyone?

Top Five Southern Novels of All Time

Did you see that list of Top Ten Southern novels of all time that Joey Holleman wrote about in the paper Sunday? Were you as outraged as I was to see Huck Finn down at fourth place? Seriously, folks — the only question to be asked about Twain’s masterpiece is whether it’s the greatest novel of any kind ever, much less best “Southern” novel.

Mind you, this is not Joey’s fault, he’s just reporting on the list compiled by the magazine Oxford American.

Now, right off the bat, you have to figure that any mag that calls itself “Oxford” anything is going to be prejudiced in favor of a certain person, even if it is based in Conway, Arkansas. And sure enough, the list kicks off with a Faulkner work, Absalom, Absalom!

And here’s where we get into my own blind spot: I’ve never read Faulkner. Oh, I’ve tried, back when I was young and felt like I had to in order to be an educated person. But a page or two of Faulkner, and I felt like I needed oxygen. I decided that I must hold my breath until I reach the end of a sentence or something, which can be deadly with Faulkner. Anyway, I never got very far. I’ve got several of his books sitting on a shelf to this day, awaiting me. Personally, I intend to read Finnegan’s Wake first, which means Faulkner will have to wait awhile. Sorry, Bill.

So basically, we have a problem in judging this list — no publication called Oxford American could possibly be unbiased with regard to Faulkner, and I’m not in a position to judge when they’re giving him too much credit and when they’re not. So we’re just going to have to throw all the Faulkner books off the list. Sorry again, Bill, but them’s the rules I just made up.

Since three of the 10 were thus tainted, that leaves us with a Top Five list plus two, and now that we have the Faulkner distraction out of the way, we can see more clearly that the list does, indeed, fall short:

1. “All the King’s Men,” Robert Penn Warren, 1946, 80 votes

2. “The Adventures of Huckleberry Finn,” Mark Twain, 1885, 58 votes

3. “To Kill a Mockingbird,” Harper Lee, 1960, 57 votes

4. “The Moviegoer,” Walker Percy, 1961, 55 votes

5. “Invisible Man,” Ralph Ellison, 1952, 47 votes

6. “Wise Blood,” Flannery O’Connor, 1952, 44 votes

7. “Their Eyes Were Watching God,” Zora Neale Hurston, 1937, 41 votes.

See? Huck Finn still isn’t first. In fact, it comes in second to All the King’s Men. Now I’m perfectly willing to assert that All the King’s Men is a wonderful work, one of the best ever — for about three pages.

Seriously, you can read the good parts of All the King’s Men in the “LOOK INSIDE!” feature at Amazon.com, and be done well before they cut you off. I’m talking about the stretch that goes from that wonderful ode to Highway 58, and ends with the paragraph that tells you everything you need to know about Sugar-Boy, ending with:

He wouldn’t win any debating contests in high school, but then nobody would ever want to debate with Sugar-Boy. Not anybody who knew him and had seen him do tricks with the .38 Special which rode under his left armpit like a tumor.

Great stuff. (Never mind that it should be “that rode under his left armpit like a tumor,” or that there’s no reason a grown man would participate in a high school debate anyway. It’s still great writing.) After that, it’s kinda downhill with all that decadent Southern nobility and corruption-of-idealism-by-power stuff. Go ahead and stack the first few pages of Huck Finn up against it, why don’t you — and then tell me it doesn’t hold its own. Never mind that the whole tone changes to deep and dark in the middle part, or then shifts back to that broad farce tone when Tom Sawyer gets back into it at the end. The greatest Southern novel — indeed, the greatest American novel — should have unevenness and inconsistencies. I wouldn’t give shucks for any other way, as Tom Sawyer would say.

Beyond that — well, I’d put Mockingbird ahead of Warren, too. As for Walker Percy — while I’ve read The Moviegoer, and enjoyed it near as I can recall, I was never tempted to re-read it, which means it wouldn’t make it onto a top anything list of mine. (I actually have a clearer memory of Lancelot, which I did not like. That whole “Southern Man as severely dysfunctional loser” theme leaves me cold; a few pages of it is a gracious plenty, as my Aunt Jenny would have said. It’s why I didn’t read past the first chapter of Prince of Tides, and regretted having read that much.)

The absence of Gone With The Wind is of course a deliberate snub, based on its not being highbrow enough or cliched or politically incorrect or whatever. Perhaps it was too popular. And no such list would seem complete to me without either God’s Little Acre or Tobacco Road, if not both. What, the Oxford American folks don’t like books with hot parts? Or are we only concerned with the troubles of the upper classes, and don’t have time for working-class dysfunction? Caldwell’s novels were certainly way Southern; you’ve got to admit that.

We can’t blame the editors of the magazine entirely, since the list resulted from a poll of “134 scholars, scribes, and a few mystery guests.” There is something vaguely un-Southern about this. Subjecting things to a vote seems kinda Yankee to me, like a New England town hall meeting or something. A true Southern list should be drafted by one quirky individual who doesn’t give a damn what anybody else thinks. At least it wasn’t true Democracy, since the electors were hand-picked — in a process that helps us understand why the list has more than a whiff of snootiness.

So now that I’m done tearing down this list, I should post one for y’all to tear down. So have at it:

  1. The Adventures of Huckleberry Finn, Mark Twain
  2. To Kill a Mockingbird, Harper Lee
  3. All the King’s Men, Robert Penn Warren
  4. God’s Little Acre, Erskine Caldwell
  5. Gone With The Wind, Margaret Mitchell

OK, one last admission — I haven’t actually read Gone With The Wind, either. But I heard about it so much from my eldest daughter when she was growing up that I feel like I have. And I wanted to put it on the list just to cock a snook at those pointy-headed types who ignored it in the OA poll. I thought about putting Pudd’nhead Wilson at No. 5, just to load my list up with Twain the way they did theirs with Faulkner, or even saying “a Faulkner novel of your choice” in that spot, just as a grudging acknowledgment. But I didn’t.

A Top Five list that leaves much to be desired

So I was reading a review in the WSJ this morning about an incomplete Vladimir Nabokov novel that has been released posthumously, and probably should not have been.

And that got me to thinking about great writers who write in English even though it’s not their first language, and I thought it would be cool to draft a Top Five List of such writers. This would be challenging, and more highbrow than a “Top Five Side One Track Ones” list.

Trouble is, I can only think of two:

  1. Joseph Conrad, who as far as I’m concerned could occupy the whole list alone, even if you don’t go beyond Heart of Darkness. He packed meaning in and around English words in ways that native speakers never thought of. (Or perhaps I should say, “of which native speakers never thought.”)
  2. Vladimir Nabokov.

And I must admit I’m not too sure about Nabokov. People tell me he’s brilliant, but his “masterpiece” has always sounded kinda perv-y to me, kind of Roman Polanski, you might say (which suggests a Top Five Perv-y Directors Whose First Language is Not English, which would also come up short, I’m afraid). So I’ve never read it. A case of judging a book by its synopsis. I mean, I loved A Clockwork Orange despite its disgusting themes — partly because of its creative use of another language (Russian) melded with English slang to create a new language altogether, come to think of it — but I haven’t been interested enough to give Lolita a try.

Anyway, as I wondered who might be third, fourth and fifth on such a list (and maybe second, too, since I’m not sure about Nabokov), I learned that there is a whole publication devoted to such writers — a publication that even sponsors something called the Conrad-Nabokov Award (which provides a broad hint that maybe those two are in a class by themselves). Here is how it explains itself:

This is the third issue of Shipwrights, and perhaps it’s a good time to pause and reflect. This journal is an experiment, really. It may be the only international magazine specifically dedicated to publishing the work of “de-centered” (second-language English) authors. It is, thus, one representation of the linguistic effects of globalization. As the number of second-language speakers of English in the world continues to balloon, it’s interesting to consider a possible future day when we won’t even notice whether a writer in the English literature market is a native anglophone or not. After judging the Conrad-Nobakov Award, Ms. Burroway remarked, “It’s hard to believe that these authors are writing in English as a second language, for all of them have superior command of it.”

Bet you didn’t know that. Not that you needed to.

My Top Five (plus one) local radio stations

By the way, I should add to my Daniel Schorr diatribe that I love NPR. If I could only listen to one radio station, that would be my choice. That doesn’t mean I have to be crazy about everything I hear on it…

Which reminds me that I was talking radio with a friend today about favorite radio stations. The radio spectrum is so broad that I hesitate to try to create a Top Five list, since there could be a station I haven’t ever heard that would be my favorite if I did hear it. But what I can to is provide a list of the six buttons pre-programmed on FM1 in my truck. I’d be interested to hear what y’all like as well — maybe I’ll do some reprogramming:

  1. S.C. ETV Radio, 88.1 — Or sometimes, 91.3, but the one out of Sumter has more news, which is mainly what I listen for. I like classical music, but NPR is just so well done. The material is better organized and presented than any almost print medium in this country, which is saying something for radio.
  2. WUSC, 90.5 — One of my kids was once a DJ at the station, and I keep it programmed for when I want to hear something really unique.
  3. Steve FM, 96.7 — Yeah, the station ID messages can be really grating — that tedious “we’re deliberately sounding unprofessional” tone — but the song selections are pretty good about 50 percent of the time.
  4. WXRY, the Independent Alternative, 99.3 — The best of the largely contemporary formats locally, near as I can make out.
  5. WWNQ, Flashback 94.3 — Oldies, pure and simple. (This station used to have a format that played Country classics, and for a C/W format was pretty listenable, but a year or so ago they went to mainstream oldies.)
  6. WTCB 106.7 — Occasionally, when there’s no music on the other commercial stations, I switch to this one — and will sometimes stay for a song or two, if they’re playing 80s stuff. (Not my era, but I turn to different stations for different things.)

By the way, those are not actually in order of preference — those are the assigned buttons. You’ll note that No. 5 is out of order. That’s because it replaced a station that replaced another station that DID fit between 99.3 and 106.7.

Of course, about half the time I’m listening to a CD instead — often something I’ve burned from one of my old vinyl albums.

And while blogging, I often listen to Pandora. Two current favorite “stations:” My Erik Satie and Solomon Burke stations. (I threw that in so that the Barrys out there could not sneer at my mundane radio tastes.)

Pickin’ ’n’ grinnin’ in the center of the city

BillWells

Last night I attended the 8th annual meeting of the City Center Partnership in downtown Columbia. It was the best sort of meeting, as Matt Kennell et al. kept the actual meeting part — in the auditorium at the Columbia Museum of Art — very short, and then we all adjourned to the Gotham Bagel Cafe across the street.

There, I heard Bill Wells’ bluegrass band, imported from clear across the river. And the embarrassing thing is, after living in West Columbia for more than two decades, I think this was the first time I’d heard them. Which is a shame, because they’re good. The low-res video below from my Blackberry captures them doing “Salty Dog,” which somehow put me in mind of the Dillards on the Andy Griffith Show as I listened.

As for the purpose of the meeting, there’s a lot of new energy and optimism in the city center, what with the Nickelodeon having just moved there and Mast General Store on the way. So there was a true celebratory atmosphere.

That guy’s a governor? You’re kidding, right?

SenatorJonCorzine

One thing you’ve got to hand to Mark Sanford — he  looks like a governor, even though he has generally not acted like one. This is a key to his electoral success.

I remember back before he was elected — I guess it was about this time in 2001 — he sent out Christmas cards with pictures of himself with his family. As soon as he received his, Sen. John Courson said to me (and you’ve got to imagine that booming bullfrog voice of his saying it), “Faaahhhn lookin’ family! Kennedyesque…” and said that on the basis of that picture, he expected Sanford to be our next governor.

Anyway, I’m reminded of that today, having just seen a picture of Jon Corzine for the first time (this was on the front of the WSJ). As I previously noted, unlike the national media, I don’t pay attention to state elections in other states because they have nothing to do with me. People elect their governors for their own reasons (sometimes things as superficial as how they look, although of course that’s not the only reason South Carolinians went for Sanford in 2002), reasons that I cannot infer meaningfully from afar, so I don’t try to do so.

Anyway, my reaction on seeing this guy for the first time as he was on his way out (having lost yesterday, for those of you who pay even less attention than I do), was this: “What? This guy is the governor of an actual state? You’re kidding. He looks like a college professor, and maybe not even an American college professor at that. He looks more like Leon Trotsky than a guy who could get elected in this country.” And what’s that he’s got in the back in this picture? Is that a ducktail?

I realize that standards of political pulchritude vary from state to state, that we would elect people in South Carolina that New Jerseyites (or whatever you call them) would never take a second look at, and vice versa. But if I had tried to imagine somebody who could get elected up there and not down here, I would have pictured a guy who would have looked at home hanging around in front of Satriani’s Pork Store with Tony Soprano. Yeah, I realize such stereotypes are the bane of New Jerseyians, who deserve better, but that I could have believed in. Whereas this Corzine guy … if Tony had shown up for his first therapy session and his shrink had looked like this instead of like Lorraine Bracco (and that’s the only role I could imagine a guy who looks like this filling on that show about north Jersey), he would have turned around and walked out.

No wonder this Trotsky-looking character lost. That Christie looks like a regular guy, a guy you might actually imagine being in the, uh, sanitation business.