Well, today is the day (as you know I love to tell people over and over) that was supposed to be forever cherished as our national Day of Independence. That’s what John Adams expected, and predicted at the time, because that was the day that the Second Continental Congress actually voted to separate these 13 states from the British Empire.
What happened two days later was everybody lined up and signed a piece of paper saying so. And sure, you can call that Independence Day, too, for that very reason. No argument about that. But Adams has always been my favorite Founder, so this date causes me to want to stress his achievement, which was more significant than what Thomas Jefferson did. And yet everyone associates this big move with ol’ Tom. It’s almost like his personal holiday. But come on, people. Jefferson never opened his mouth during those weeks that Adams harangued the Congress so furiously to get them to step off and make the decision. Jefferson wrote the hard-copy version because Adams persuaded him to, because he admired the Virginian’s ability to turn a phrase (and also thought it would help that Jefferson was way more popular in the Congress than he was, since Tom didn’t make such an effort to tick everybody off), and he did it not alone, but as a member of a committee including Adams, Ben Franklin and a couple of other guys.
And I’m afraid that far too many of my favorites Americans, when they think about something beyond hot dogs and fireworks at all, think of the Declaration as somethign that genius Thomas Jefferson dreamed up on his own in his hotel room in Philadelphia, and then unveiled to the whole world’s enduring admiration and gratitude. Or something like that. Which isn’t right, and doesn’t give credit where due. Y’all know that no one respects a well-turned phrase more than I, but Independence was the result of more strenuous efforts than applying quill to paper.
I could go on, but now I’m going to switch to the subject of popular music….
I’ve been sort of halfway following a newsletter feature in The New York Times called The Amplifier. Well, “follow” is a bit strong. Basically, I sometimes look at the song lists they regularly email me, and have frequently been impressed by the selections I find. These folks are widely knowledgable, and you can’t pigeonhole them. They’re neither desperately trying to convince us that pop music in the 21st century is seriously wonderful, nor stuck in 1973 and telling us that all music has been crap since Lester Bangs died, if not earlier. They have a much broader perspective.
Anyway, this week they sent out this list:
10 songs of rebellion and defiance for the Fourth
… so I thought I’d share that with you for your enjoyment, or serious appreciation, or whatever.
I gave you the link for that list above, and I hope it works for you. If not, these are the songs:
- Tracy Chapman: ‘Talkin’ Bout a Revolution’
- The Isley Brothers: ‘Fight the Power, Pts. 1 and 2’
- Public Enemy: ‘Fight the Power’
- Michael Franti & Spearhead: ‘Yell Fire!’
- Bob Marley & the Wailers: ‘Get Up, Stand Up’
- Mavis Staples: ‘Eyes on the Prize’
- Patti Smith: ‘People Have the Power’
- Björk: ‘Declare Independence’
- Rage Against the Machine: ‘Know Your Enemy’
- Antibalas: ‘Uprising’
I looked at the list eagerly, having enjoyed past ones, but then I realized something… As much as a lot of people may dig those songs, they’re not really in my wheelhouse, to my knowledge. I haven’t even heard a bunch of them, but that’s beside my point.
My point is that as an Independence Day list, well, it really doesn’t work. But don’t blame the NYT folks. As much as I love American pop music, and have since “Hound Dog,” it’s just not the medium for addressing the American Revolution. Pimply-faced outcries against the Man are certainly within the reach of pop music, but that’s not what this country’s revolution was.
If you even want to call it a “revolution,” which I tend to doubt. You want a revolution? You want something that fits the tone of these kinds of songs? Well, the French had one of those, perhaps the ultimate one. And now that they’re on their Fifth Republic, I’m still not sure think they ever got over the trauma of it. The Russians, in their way, had one, too, and Vladimir Putin still isn’t coping with it in a well-adjusted manner.
Not that I’m running down our own, or anything — certainly not in this first year of our 250th commemoration. No, the American Revolution was one of the most significant and positive developments in the political history of the human race, which is why I am so grief-stricken now as I watch what it produced, all those things I love, being so rudely, stupidly and cruelly dismantled.
What do I call it? Well, one way to describe it is as a parting of the ways between a unique new country that had come into being and the country that had fostered it. This was not about oppressed people (paying taxes on tea? call that oppression?) rising up to destroy the established order, murder the royal family, obliterate religion, and that other sort of carrying-on we’ve seen elsewhere.
And it certainly wasn’t some class uprising by the sans cullotes against the rich and powerful. If you look carefully, the same people, in terms of social class or property or education levels, were in charge after independence as before. People of all classes took part, on both sides. But the guys who initiated and led this were people who knew how to run a city or colony or country (or a business, for that matter), and had been doing it in the past. Which, all the noble (and they are noble) words about freedom aside, is one of the very biggest reasons why our republic worked so well until very recently.
No. Our “revolution” was about serious people who had followed their fathers and grandfathers in building a new kind of country in what was to them (although not to, say, the Hurons) a New World. And they were pretty satisfied with what they’d built, and wanted it to continue. They saw themselves as Englishmen, but they were getting the strong impression that the British Crown didn’t really get them any more, and didn’t fully appreciate what they had become, and how they deserved to run it themselves without increasingly pesky interference from London.
Well, KIng George wasn’t going to go for that — certainly not after having expended all that treasure to protect the colonies from the French a few years earlier, as any Tory could have explained to you at the time. So yeah, there had to be a rupture, a ripping-away of the ties that bound. And eventually, starting a year before the Declaration (which continues to make me very uncomfortable, as I’ll explain again if you need me to), there was a very serious war. A particularly nasty war if you were down here in South Carolina (and elsewhere) — not a simple ones-and-zeroes matter of Patriots vs., Redcoats, but bloody, fratricidal violence between people who lived side-by-side. And (with the help of the French, of course), that war had an astounding outcome, with the world’s great superpower losing to a bunch of farmers, lawyers, shopkeepers and the like with a minimal amount of military expertise.
And the world was never the same again, and in so many ways, I thank God for that.
But “revolution?” In the French sense? In the sense of someone with such a pimply moniker as Rage Against the Machine? No. I don’t think so. It was something far bigger, far more important to human history.
But as I’ve probably also said before many times, I do have a favorite rock song about revolution. When the 45 came out, it seemed that the juke box in the cafeteria of Robinson High School in Tampa was broken. Whenever I was in there, whenever I walked by, I would hear the sweet sound of “Hey, Jude.” Which was wonderful because it’s truly one of the greats, and I love it.
However, I was frustrated because I didn’t think I was hearing the flip side nearly enough, certainly not as much as the tune deserved. So after the bus took me back home to MacDill Air Force Base after school, I made a habit for awhile of walking over over to “the Wherry.” That was a small building a couple of blocks from our apartment that contained two things — a sort of convenience store run by the Base Exchange, and a tiny snack bar where airmen, dependents and such could stop in to order a burger or hot dog or whatever.
And this snack bar had a juke box, which was very well stocked (I can’t remeber all the tunes, but I remember being impressed perusing the choices). At that time of the day the place was pretty empty, but I’d plug in my change and sit and listen to that song, which rang out with all the raw energy of its title. And then do it again. And again.
Mind you, it wouldn’t be all that long before I outgrew thinking John Lennon was a particularly wise political analyst (“Imagine” was a beautiful song, but the lyrics were vapid, which I realize I say in contradiction to wide and fervent popular opinion), but I always thought that he — in his instinctive cynicism — pretty much had the more fiery, self-righteous sort of revolutionary pegged. And he wasn’t buying. I mean people like John Adams’ cousin Samuel, or Robespierre, or certain adolescents who knew little beyond three guitar chords, but felt passionately. In this song, his was the more reflective attitude that there was a lot to consider beyond the romantic notion that revolution, per se, is necessarily a good idea, much less the perfect solution that its enthusiasts so fervently imagine:
You say you want a revolution, well, you know
We all wanna change the world
You tell me that it’s evolution, well, you know
We all wanna change the world…But when you talk about destruction
Don’t you know that you can count me out?You say you got a real solution, well, you know
We’d all love to see the plan
You ask me for a contribution, well, you know
We’re all doin’ what we can…But if you want money for people with minds that hate
All I can tell you is, brother, you have to wait…But if you go carryin’ pictures of Chairman Mao
You ain’t gonna make it with anyone anyhow…
Hey, let’s put in a quarter and listen to it AGAIN…