Category Archives: Television

The Golden Age of Television Overload

Good riddance to you both! Now can I have my life back for awhile? And could somebody turn up the lights?

Good riddance to you both! Now can I have my life back for awhile? And could somebody turn up the lights?

Pope Francis recently disclosed that he hasn’t watched television since 1990. Which means he’s like way behind on “Game of Thrones.” Among other things.

I’m beginning to think His Holiness is onto something. I’m feeling… a bit out of control with my own binge-watching lately. Wouldn’t I be a better person — more productive, more attuned to the needs of those around me — if I stopped watching Netflix, HBO NOW, the downstairs TV, the upstairs TV, the Roku, the Apple TV, the iPad and on very rare occasions, actual broadcast television?

The Pope has enough on his plate keeping up with matters relating to this world and the next, much less Westeros and all those other fictional universes out there.

Today, the front of the Arena section of The Wall Street Journal raises the question, “How Many TV Series Can Your Brain Take?” An excerpt:

“Game of Thrones,” which will leave multiple story lines dangling for a year with Sunday’s season finale, is notorious for befuddling even ardent fans with its many clans, lands and simmering subplots. But it’s just one of many shows taxing the memories of audiences who have been flooded with complex story lines and crowded character ensembles.

“Orange Is the New Black,” which returns Friday for a third season on Netflix, uses more than 20 characters to populate a fictional women’s prison with inmates and staff. On “Orphan Black,” finishing its third season on BBC America this month, lead actress Tatiana Maslany plays six different characters, all clones, in a sci-fi conspiracy story. New viewers have to absorb dense mythologies if they hope to jump aboard returning shows such as CBS’s summer series “Under the Dome,” which, in its coming third season, might finally explain why a bubble is encasing the town of Chester’s Mill.

The deluge of compelling shows means fans have to be good at time management to keep up with the best offerings. But they also are grappling with the limits of memory. How many shows (and knotty plots and twisting character arcs within) can we keep track of at once? In a binge-watching world, where we aren’t limited to weekly installments of network TV shows, is there a limit to the number of narratives we can keep straight?

Actually, I don’t think that frames the question correctly. Binge-watching doesn’t cause the problem of having trouble keeping up. What I find is that failing to binge-watch makes it harder to know what’s going on.

Dramatic series are written for binge-watchers, not for people who watch an episode, walk away and lead real lives, then come back in a week or more to try to pick up the thread again. That is part of what makes the new breed of shows so absorbing — they pull you into a complicated world, and if you can’t stay there until the season (at least) is over, you’re likely to be disoriented when you return.

For instance — when the third season of “House of Cards” came out several months back, I did what I had with the first two seasons. I started watching to see what everybody was talking about, then got fed up with it and quit, and then, when curiosity built up enough, came back and pushed through the rest of it.

SPOILER ALERT! Consequently, when I saw the season finale the other night, I was somewhat at a loss: Why was Claire leaving Frank? Yeah, they had been slightly weirder together the last few episodes — which means five percent more than their usual standard, which is creepy as all get-out. But what precipitated this blow-up? Surely nothing that had happened recently had showed her anything she didn’t know about her husband. Not to mention that she’s no bargain herself on the decent-person scale.

If I’d watched it all straight through, I think I might have a good feel for it. But as things stand, I don’t.

Not that it matters, right?

Last year, David Carr wrote in The New York Times about the problem of “Barely Keeping Up in TV’s New Golden Age.” I could really identify:

The vast wasteland of television has been replaced by an excess of excellence that is fundamentally altering my media diet and threatening to consume my waking life in the process. I am not alone. Even as alternatives proliferate and people cut the cord, they are continuing to spend ever more time in front of the TV without a trace of embarrassment.

I was never one of those snobby people who would claim to not own a television when the subject came up, but I was generally more a reader than a watcher. That was before the explosion in quality television tipped me over into a viewing frenzy….

And what a feast. Right now, I am on the second episode of Season 2 of “House of Cards” (Netflix), have caught up on “Girls” (HBO) and am reveling in every episode of “Justified” (FX). I may be a little behind on “The Walking Dead” (AMC) and “Nashville” (ABC) and have just started “The Americans” (FX), but I am pretty much in step with comedies like “Modern Family” (ABC) and “Archer” (FX) and like everyone one else I know, dying to see how “True Detective” (HBO) ends. Oh, and the fourth season of “Game of Thrones” (HBO) starts next month.

Whew. Never mind being able to hold all these serials simultaneously in my head, how can there possibly be room for anything else? So far, the biggest losers in this fight for mind share are not my employer or loved ones, but other forms of media….

I think back to a time before all this. Say, the ’80s. In that whole decade, I can remember watching only one dramatic series on television that in any way compares to the shows I’m juggling now: “Hill Street Blues.” There was that, and maybe “Cheers” — both on the same network on the same night. I was very, very busy with a demanding job in the daytime and a family full of young children at night, and entertainment wasn’t high on my list — which made the lack of high-quality options a good match for my lifestyle. And “Hill Street” was written for people who only visited that world weekly. There were continuing story lines, but everything was episodic. One episode held you for a week.

Lately, I’m juggling, off and on:

  • Blue Bloods” — My only current show written in that old fashioned episodic form, and the only one coming from commercial broadcast television. But I’m watching it the new way. I had never seen it before a couple of months ago, when I started the first season on Netflix. It’s the perfect length for a workout on the elliptical. I’m not quite as obsessed with it as I was with “The West Wing” last year, but I do like it.
  • Foyle’s War” — Watching this on two temporal streams. We just finished the current season of new ones on PBS last night. Meanwhile, we’re almost done with the previous seasons on Netflix.
  • Game of Thrones” — ALMOST caught up. I’ve got one more episode to watch (last week’s) before this Sunday’s season finale. And I’ll be glad to be done with it for awhile. I wanted to be up on the cultural phenomenon, and now I almost am. I don’t find it very satisfying.
  • The Wire” — The best of the lot right now. I’m trying not to spend it all at once. I’m past the halfway mark in the second season.
  • Orange is the New Black” — We were really into this, but my wife and I sort of lost interest during the second season, and didn’t get more than a few episodes into it. With the new season out today, will we get back into it? I don’t know.
  • Daredevil” — Probably the best adaptation of a Marvel franchise ever to appear on television. I’ve only got one episode left in the Netflix season, still waiting to see him in the red superhero costume. The series is taking the origins thing at a stately pace.
  • True Detective” — Got started on this and got sidetracked. Want to finish the season before the new one comes out.
  • Mad Men” — Lost interest a couple of seasons back. There’s just so much moral vacancy one can take. But my wife and daughter say the last season was as good as the early ones, so I’m going to take it back up soon.
  • The Walking Dead” — Haven’t watched it in months, but I do want to get back to it and catch up. I just want to know one thing before I do: Daryl doesn’t die, does he?
  • Justified” — It’s as good as some of my friends here say, but since the only way I can see it is on DVDs from Netflix, I only get back to it periodically. I’m only up to the second or third episode in the second season.
  • Better Call Saul” — Since we don’t get AMC (the only station I miss from cutting back on cable), I bought the season on iTunes when it first came out. So since I paid for it, I really must get back to it and watch the rest of the season at some point. It’s good, but it’s not as compelling as “Breaking Bad.” I’ve just got this investment in it.

It’s over now, but for a few weeks there, we were really into “Wolf Hall” — which we’d watch on Apple TV the night after each episode’s release, because I didn’t want to stay up past 11 on Sunday night. (One good thing about this — it forced me to go ahead and finish reading Bring Up the Bodies in order to stay ahead of the show — which I shoved aside The Guns of August in order to push through.)

Meanwhile, it seems that Netflix releases a new series daily, and some of them are bound to be good. It’s just ridiculous.

Meanwhile, I’ve been trying to read The Guns of August, a really compelling history book, for months. But if I read a chapter in a sitting, it’s unusual. And it was interrupted first by the trip to Thailand, and then by Bring Up the Bodies. Mostly, it’s a couple of pages over dinner. And talk about losing track of characters and story lines — of course, books are supposed to be that absorbing and complex. TV never was before.

Yeah, it’s true, and it’s appalling: I’ve only finished on new book so far this year.

The Pope has the right idea. I just need to summon the self-discipline…

"Daredevil:" Matt Murdock still hasn't fully donned his superhero persona.

“Daredevil:” Matt Murdock still hasn’t fully donned his superhero persona.

Best scene from ‘The Wire’ (so far in my watching)

Rawls McNulty

Excuse me for writing about another show that’s been off the air for years (like “The West Wing”), but hey, we’re in a new TV world, in which when something was on the air is pretty much irrelevant. Today, you see a show for the first time when you see it.

And I just wanted to share the best scene I’ve encountered on “The Wire.” It was in episode 11 of the first season, titled “The Hunt.” (I’m now on the second episode of the second season.) YouTube won’t let me embed it, but you can see it here.

Even if you haven’t watched the show at all, you can sort of appreciate it with a little setup, if you can abide the intense, concentrated, rapid-fire use of cusswords — which is so over the top that it adds a slightly comic touch to this deadly serious scene. But you don’t want your kids hearing it. Or your parents.

Anyway, the anguished guy in the muted red polo shirt with blood on his face is Jimmy McNulty, the protagonist — a singularly insubordinate, know-it-all cop who is extremely upset because a colleague and friend just got shot. This is the first time you’ve ever seen McNulty at a loss, doubting himself. The guy in the suit “consoling” him is his erstwhile boss, the head of homicide, who — as you may notice — hates McNulty’s guts. And not just in the usual, cliched, “I’m tired of defending your shenanigans to the commissioner” way that we’re accustomed to in ranking cops on TV.

And yet, in his own furious, about-to-blow-his-stack way, he’s trying to make McNulty feel better. And does so pretty effectively.

Interesting leadership style. Impressive, yet… do you really want this guy as your boss?

Capt. Furillo

Capt. Furillo

In the early 80s, when I was in my first management position, running the news coverage of a small daily in Tennessee, I used to watch Captain Frank Furillo on “Hill Street Blues” and aspire to be exactly that kind of firm-but-fair, graceful-under-fire boss that he was.

But Capt. Furillo was a Sunday-School teacher compared to this guy, who makes you re-evaluate the whole tough-but-fair thing.

Anyway, I love it when a scene tells you something new and unexpected about a character in a way that is completely believable (instead of the contrived way that is too common on most TV shows — see “24”).

Good writing, good direction, great acting.

Thoughts on the end of David Letterman’s 33-year run?

Just thought I’d put this up in case anyone had any observations about the close of David Letterman’s extraordinary 33-year run.

Personally, I didn’t see the last show, but I did read this blow-by-blow description of it.

And in fact, I didn’t see him all that much over the years, either. When he started out, I was already a dad with young kids and a pretty intense job that started at 7 a.m. every weekday.

But I’ve seen him enough to appreciate his brand of humor, which one of my favorite books of the 80s, “The Catalog of Cool,” described (I think; I don’t have my copy at hand) as “Perry Como on mescaline.” (Actually, according to a Google search, that description may have come from TIME magazine.)

The Top Ten List. Stupid Pet Tricks. Paul and the band. There’s a lot to remember. Share, if you’re inclined to…

Long, long before they were stars

jail

I love the Internet Movie Database, in part because it allows me to make connections in much-loved films that would never, ever have occurred to me otherwise.

I discovered this one a year or two back, but was reminded of it today and thought I’d share it.

Remember the skinny kid leaning up against the bars of the jail cell in “Trading Places” when Billy Ray Valentine was bragging to his cellmates about beating up on “nine, ten cops?” You know, because he’s a “chain-belt kung fu” master?

Here’s the scene.

He was the kid who said, “But you told me last night you cut the dude…”

No? Well, he was forgettable in that role.

But Giancarlo Esposito was hard to forget as Gus Fring in “Breaking Bad.”

Talk about an actor taking on gravitas, and menace, as he aged… Wow.

breaking-bad-spin-off-saul-gus

The long-awaited collapse of the ‘bundle’

Sopranos

This is me in the past, wondering why I couldn’t just pay for the channels, or specific shows, that I actually wanted to see.

Back when I was editorial page editor, Bud Tibshrany used to ask me out to lunch about once a year. That’s because he was doing PR for Time Warner Cable, and his job required that he check in with me periodically, and going to lunch with him was less of an interruption to operations that a full editorial board meeting. I had to eat anyway.

Each year, he’d ask me if I had any questions about Time-Warner or the industry. And I always had just one question: When will I be able to buy channels a la carte instead of having to pay for scores of channels I didn’t want just to get AMC? It was really all I wanted to know.

I knew I was being a pain, but he asked.

The answer was always the same: Not in the foreseeable future. The cable providers’ hands were tied by the contractual demands of the content providers, and so forth. Which was true.

True then, that is. Times are a-changin’:

Web streaming is upending the neat arrangement long enjoyed between TV channels and cable providers such as Verizon and Comcast. Verizon pays ESPN and other channels a certain amount to carry their programming, a cost that gets factored into customers’ monthly bills. But with consumers complaining about paying for too many channels and switching to online streaming alternatives such as Netflix, cable firms are feeling the pressure to cut costs — and even drop channels, especially those with plummeting ratings.

The swift decline in cable has been particularly harmful for Viacom, which typically presses cable distributors to run all of its channels — including MTV, VH1, Comedy Central and Nickelodeon — or none of them. The company announced this week that it will cancel some shows and lay off staff as part of a broad restructuring plan….

Talk about creative destruction.

Just last night, in response to an invitation via my Apple TV, I signed up for a free one-month trial of HBO NOW, which markets itself with the pithy tagline, “Now, all you need is the Internet.”

Well, that and $14.99 a month, which I probably will not spring for when the free month is up.

But in the meantime, it’s pretty awesome. We watched “Jersey Boys” last night, and enjoyed it. I see that I can catch up completely on “Game of Thrones” if I care to binge, starting with the first season. Or watch “The Sopranos” again all the way through, or any other series that has ever been on HBO. And I can send back that DVD from Netflix with the first episodes of “True Detective” on it. The whole series lies before me now.

Anyway, whatever I do going forward, I appreciate this brave new world…

I don’t watch ‘an awful lot’ of TV — or maybe I do. How about you?

Turn-S1-Launch

“TURN: Washington’s Spies” — fictionalized, but at least the models for these people actually existed…

 

For whatever reason, our regular commenter Barry said this over the weekend:

One thing I have learned about Brad- he watches an awful lot of television.

Sounds awful.

At which I bridled.

Moi? Watch a lot of idiot box? Never!

Or maybe sometimes…

No, I really don’t — at least, not by American standards.

But you know, I think I probably watch more of it than I used to — mainly because of Netflix, and to some extent AMC. For the first time in my life, if I feel like vegging out in front of the tube (or working out in front of it, I hasten to add), I can always find something that interests me. And that was bound to increase my screen time.

Oddly, I don’t even get AMC any more. We subscribe to a below-basic level of cable that simply ensures that we get the local broadcast stations clearly, and nothing else. (And I don’t really watch those, except for an occasional “Masterpiece” series on ETV.) But I can watch all of the AMC shows a bit later, on Netflix, and that’s generally good enough for me.

Here’s what I have watched on the tube over the past year or so. It may sound like a lot, but compared to most people’s viewing habits (with the Tube always on, with sports and “news” shows and Reality TV), it’s actually fairly contained. I’m listing everything I can recall watching, including shows I’ve lost interest in:

  • Turn: Washington’s Spies — I JUST started this, because it just arrived on Netflix. My interest increased when I realized that Abraham Woodhull, Anna Strong, Caleb Brewster and Ben Tallmadge were all real people, although this is obviously fictionalized. Don’t think the show’s been quite fair to Robert Rogers.
  • Bluebloods — Got belatedly hooked on this about a month ago. It’s now my standard show to watch while working out in the mornings. My parents have loved this show for years, and I think I probably enjoy it for the same reasons.
  • Better Call Saul — As with the last season of “Breaking Bad,” I couldn’t wait on this one, and went ahead and bought the season via iTunes. But I fell three episodes behind while abroad, and haven’t caught up. Not quite as riveting as the original series, despite having Mike Ehrmantraut.
  • “The West Wing” — Y’all already know how crazy I was about this last year, watching all seven seasons while working out in the mornings. But now it’s gone, and while I’ve watched some favorite episodes two or three times, I need to wait a while (a few years, I think) before watching it all the way through again.
  • Endeavour — Very engaging prequel to the Inspector Morse series. It’s hard to beat a well-made series set in Britain circa 1964. Guess I’ll never get over the brainwashing effects of the British Invasion. That’s when I really fell in love with that island. Also, having spent a few days in Oxford in 2011, I’m drawn toward anything set there.
  • Inspector Morse — Didn’t get very far into it. Not as engaging as either its prequel or its sequel, “Lewis” — which I haven’t watched lately only because there have been no new episodes.
  • House of Cards — The American version. I watched three or four episodes of the third season, but haven’t gotten back to it.
  • Foyle’s War — Love it. My main complains it that the war ended too quickly, owing to the British habit of two few episodes per season, and the show basically following a sort of real-time format.
  • Grantchester — Very enjoyable, while it lasted.
  • Father Brown — The original, of which “Grantchester” is a Protestant imitator. I’ve only watched two or three of these, but my wife is really into it.
  • Orange is the New Black — Only watched a couple of episodes of the most recent season, then we lost interest.
  • Outlander — Over the weekend I watched part of the first episode, because the disks were at my house. Lost interest pretty quickly. Like a slower-moving, chick-flick version of “Life on Mars,” which I loved. This Sassenach woman should have stayed in England.
  • Hawaii Five-0 — Watched a couple of episodes of both the old and the new series before and after visiting Hawaii, for the scenery. Both series are deeply flawed in different ways. The newer one, with its all-young-and-sexy cast (Kono as a hot young girl? Really?) and hyper-action, is the more ridiculous of the two, although production values are much better. But the scenery is awesome. As with the Oxford mysteries, it’s fun to get to visit faraway places that I’ve visited and enjoyed. What we need now is a good drama set in Thailand…

That’s about all I can think of.

Oh, wait! Last night, I passed on the first episode of Wolf Hall because it was on too late on a work night. But I plan to watch it tonight via PBS app on the Apple TV. I’ve really been looking forward to this one. Maybe it will spur me to go ahead and read Bring Up the Bodies, which has been awaiting me on my bookshelf…

How about y’all? What are your viewing habits, if any? How have they changed, with our liberation from the TV schedule and explosive increase in platforms and options?

wolf-hall

Hoping to enjoy ‘Wolf Hall’…

 

Jon Stewart’s replacement, Trevor Noah

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Any thoughts on Jon Stewart’s announced replacement, Trevor Noah?

I mean, beyond the purely superficial sort of hail-the-Obama-of-talk-show-hosts observation?

I don’t know what I think, because the clips I’ve seen today meant to explain who Trevor Noah is have been kind of light and limited. Perhaps he has the comedic range and ironic take on American politics that make him a good replacement. But I haven’t seen it.

We knew what we were getting with Jimmy Fallon (a guy I used to not like, but who had grown on me by the time he took over the Tonight Show). We know what we will be getting when Stephen Colbert takes over for Letterman, although some might wonder a little as to what he’ll be like as himself.

The president of Comedy Central said, “You don’t hope to find the next Jon Stewart — there is no next Jon Stewart. So, our goal was to find someone who brings something really exciting and new and different.”

So, I suppose we’ll see what that something different will be.

On a completely unrelated note, I ran across this quote today from Stewart, which was new to me:

I view America like this: 70 to 80 percent [are] pretty reasonable people that truthfully, if they sat down, even on contentious issues, would get along. And the other 20 percent of the country run it.

Good one. If Comedy Central had given me a vote, I’d have voted to hire somebody who will come up with more quotes like that, whoever that might be…

OK, let’s talk about ‘House of Cards,’ Season 3

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Some of y’all brought up this topic on a previous thread, so I thought I’d start a separate one.

Like many of you, I’ve at least gotten started on the new season of “House of Cards.” I’ve watched four episodes so far. Don’t know whether I’ll continue.

I managed to slog through last season, and was actually missing it a little when someone suggested I try watching “The West Wing,” which I had never seen. As you know, I really, really loved that show, and went on and on about it here. And now that I’ve watched a show about Washington that is that enjoyable, it’s hard to sit still for something that doesn’t have a single likable character.

Perhaps I will go back and finish watching the original, British version — even though M. just gave away the ending (I won’t link to that spoiler, on the previous thread). I did like it a little better — although I only saw the first series, or season…

In these few episodes so far of the new season, I feel like the writers have run out of ideas, and are getting frustrated trying to think of new, more shocking ways for Frank Underwood to show how thoroughly rotten he is.

Slight spoiler: Take the opening scene of the first episode. You sort of knew what he was about to do standing at his father’s grave. And one’s credulity is strained. Frank is supposed to be smart. What if the request of one of the journos to get closer and observe Frank at the grave had been granted? It could have happened. And that would have been it for F.U.

Slightly worse spoiler: And what about the end of the fourth episode, which I saw last night? You can almost hear the writer thinking, What could Frank do, face-to-face with a nearly lifesize crucifix, that would still be shocking? And yes, it manages to shock (or at least offend), even though something very like it is anticipated. What’s not credible about the scene is how Frank got there. We are led to believe that Frank has a conscience and that it’s nagging at him, so he goes to the church sincerely seeking moral guidance (and if he’s not sincere, what is he doing there, since there’s no audience to perform for) — but then recoils at the central Christian message. Love is what causes him to back away and revert to type. Which is true to his character. It’s just not credible that he would have been there in the first place.

Anyway, what do y’all think so far?

My favorite Leonard Nimoy tribute item

I really enjoyed learning about the Jewish roots of Mr. Spock’s “live long and prosper” gesture.

Nimoy was a guy who deserved to be known for more than that one rather cheesy (no, really, I’ve been watching it on Netflix) TV show. But at least he was loved for it, and I’m glad he became reconciled to that later in life….

Oh, and my second favorite Nimoy tribute was the one below, by Astronaut Terry Virts:

Highlight from SNL special: Presidential impressions

I didn’t get to watch all of the whole 40th-Anniversary “Saturday Night Live” special last night… OK, tell the truth, I could have watched it, but gave up on it during an interminable edition of the tiresome “The Californians” sketch… but thought I’d at least share with you this clip of good bits, courtesy of The Washington Post:

It’s Big Block of Cheese Day! (But no Leo, I’m sad to say…)

Sure, it’s a political gimmick, signifying little — and let me stress that I am no fan of Jacksonian populism — but this got a smile out of me. If you, too, are nostalgic for the Bartlet administration, you should definitely watch the above video.

Alas, the founder of Big Block of Cheese Daymy favorite Bartletista, Leo — is no longer with us, and his absence makes for a slightly sad note in the reminiscence. But I enjoyed it anyway.

From the release from the real West Wing:

Here at the White House, we’re dedicated to making President Obama’s administration the most open and accessible in history. That’s why, for the second year in a row, we thought it’d be a gouda idea to brie-unite a certain cast of characters to help us bring back a tradition that dates back to the days of President Andrew Jackson.

On February 22, 1837, President Jackson had a 1,400-pound block of cheese hauled into the main foyer of the White House for an open house with thousands of citizens and his staff, where they discussed the issues of the day while carving off slabs of cheddar.

This year, we aim to do even feta. On Wednesday, January 21, in fromage to President Jackson (and to President Bartlet, if you’re a fan of The West Wing), we’re hosting the second-annual virtual Big Block of Cheese Day, where members of the Obama administration will take to social media to answer your questions about the President’s State of the Union address and the issues that are most important to you.

Log on to Twitter, Facebook, Instagram, and Tumblr, and ask away using the hashtag#AskTheWH. We’ll do our best to answer as many questions as we can.

So be sure to visit WhiteHouse.gov/SOTU to watch the State of the Union address on January 20, 2015 at 9 p.m. ET and check out the schedule of all the ways you can engage on the following day, January 21. We camembert to think you’d miss it….

And here’s the original… I hope that someone at the White House today is meeting with the Cartographers for Social Equality….

A weekend spent on the ‘Homeland’ front

This promotional image brings to mind one of the oddest things about this series -- the way this blonde woman so often walks down the streets of Islamabad without attracting a single curious glance, her only disguise being a scarf loosely draped over her head.

This promotional image brings to mind one of the oddest things about this series — the way this blonde woman so often walks down the streets of Islamabad without attracting a single curious glance, her only ‘disguise’ being a scarf loosely draped over her head.

This past weekend, AT&T Uverse (and watch for the ad coming back soon) offered HBO, Cinemax and Showtime for free, so of course I binge-watched “Homeland,” and am now completely up to date.

Any of y’all still watching it?

I have to say that it seems that the original reason for the series has sort of gone by the board, and the program is only about half as compelling as it was.

It’s like… remember the “sequel” to “The Fugitive?” It wasn’t really a sequel in that there was no Richard Kimble. Basically, Hollywood decided that the team that chased Kimble, led by Tommy Lee Jones, was sufficiently compelling that we’d want to watch them chase somebody else.

Actually, you know what? That’s a bad example, because it WAS just as much fun watching Tommy et al. chase somebody else. Good flick.

But I thought of it because there’s a similar dynamic. We started watching “Homeland” because it was riveting to see what would happen with a U.S. Marine who had been captured in Iraq and brainwashed to become a terrorist when he got back home. And, oh, yes, there was this seriously dysfunctional CIA analyst who at first was the only person to suspect him, and then later fell in love with him.

Well, now the Marine’s out of the picture, so we’re left with the story spinning completely around the woman who, in the first couple of seasons, would make me want to yell at the screen, “No, Brody, no! Stay away from her!” I wanted him and his family to have a chance at SOME semblance of a normal life, and she seemed more of a threat to his well-being than the terrorists who had held him captive had been.

OK, to be fair, the series was always about Carrie. But her pursuit, in more ways than one, of Brody was what made us want to watch her initially, because Brody was such an interesting case.

And without him as a focal point for her, there’s a void.

At least, in Season 4, she is taking her meds regularly — except for an episode in which an ISI agent swaps out her bipolar meds with a hallucinogen, which gives her an excuse to be Crazy Carrie again. Not that she’s making the best life choices when she’s fully medicated, but at least she’s calmer.

At least Saul is still around. Mandy Pantinkin anchors the series for me. He gives me somebody sane to identify with.

Meanwhile, the writers have sorta kinda tried to replace Brody with Quinn, the Hamlet of professional assassins. I like Quinn all right, but as a substitute for Brody, he’s lacking. Yes, he’s conflicted, but his conflicts are less monumental than Brody’s.

Anyone else have any thoughts? Anyone else still watching?

Saul, Carrie and Quinn, the Hamlet of professional assassins.

Saul, Carrie and Quinn, the Hamlet of professional assassins.

‘Better Call Saul’ teaser, theme song

From Slate today:

We haven’t exactly been flooded with details on Breaking Bad spinoff Better Call Saul in the lead up to its February premiere. Over the last few months, there’s been a music video, some snippets, and a brief clip of one scene. But now, AMC has dropped a new teaser featuring a lot more action — most notably, Saul, a.k.a. Jimmy McGill (Bob Odenkirk), yelling a lot.

It’s only a brief glimpse, but it does seem to indicate at least one thing for certain: Saul’s life was pretty stressful even before Walter White entered into the picture.

But I feel like I got more out of the leaked theme song, below. It’s performed by Junior Brown, and boasts lyrics by show creators Vince Gilligan and Peter Gould. Enjoy. (And here are some more, very short, Saul clips.)

Start your week off right: The Office in Middle Earth

I missed this Saturday night, but had it brought to my attention this morning via Facebook.

I’m not a huge fan of the three-feature-film version of “The Hobbit,” but I love the original “Office,” right down to the “Handbags and Gladrags” theme music.

I love the concept, and it’s well executed in parts. I’m particularly impressed that Martin Freeman seems to still be in touch with his “Tim” character after all these years.

Enjoy.

martin-freeman-the-hobbit-the-office-snl-image (1)

Oh, no, Sethory! The Devil’s Dandruff is a-comin’ back!

I keep seeing alarmist reports such as this:

Which seem a bit off, since my weather apps don’t show our temps going below 34 over the next few nights.

But should the Southland actually be plagued with the white stuff this weekend, might we also be treated to another disaster report from Buford Calloway on SNL?

In memory of Jack Bruce of Cream

Upon the death of Jack Bruce, legendary bassist for Cream, my elder son posted the above video on my Facebook feed.

To which I responded, “That’s my favorite! And not only because I suspect it may have inspired ‘Stonehenge‘…”

Yeah, this is just the kind of over-important, mock-epic kind of rock song that Spinal Tap was making fun of, but I love it anyway. I’ve always seen it from the perspective of the adolescent boy I was, as an evocation of the way the seemingly (to an adolescent boy) supernatural allure of women can drive a young man mad (which is what the story of Ulysses and the sirens was about, after all), done through the lens of the gods of rock, which made it all that much more meaningful.

I like it musically as well. I love the shift back and forth from the hard-driving parts to the bits that go, “Tiny purple fishes…” with a thin line on Clapton’s guitar gently hovering and Ginger Baker using his cymbals to evoke the sound of waves kissing the shore and receding…

It’s interesting how the star of this video is Bruce. I guess the camera crew on the Smothers Brothers show figured since he was singing, he was the front man. They didn’t quite get who Clapton was yet. You hardly even get a glimpse of his face (he was in a mustache phase), or even of his guitar.

Rock and roll! Everyone hold up your lighters now…

(c) Manchester City Galleries; Supplied by The Public Catalogue Foundation

Quick: What’s wrong with this electoral map?

Santos map

I mean, aside from it being about a fictional election.

Yes, I’m still obsessing about the absurdity of Democrat Matt Santos winning South Carolina in the seventh season of “The West Wing.” I don’t care that none of y’all were interested enough to comment on it yesterday. I’m interested enough for all of us.

During my workout this morning, in “Election Day Part II,” I learned one more supposed reason why the Democratic presidential nominee won SC (in addition to the two I mentioned yesterday, neither of which was convincing): It was mentioned (by the opposition) that Santos had spent so much time in SC, he could have been living here.

Well, that certainly would have been a departure from what we’re used to seeing — a Democratic presidential nominee actually visiting South Carolina.

But I don’t think it would make the difference. It would take a lot more than that, which is why Democratic presidential nominees don’t come to South Carolina during the general campaign.

I’m with Josh Lyman, who understood that there was something wrong if his guy was losing Vermont, but winning SC. He sort of freaked out about it, and who could blame him? His writers had put him in an impossible situation. Would Aaron Sorkin (who did not write these later episodes) have done that? I don’t think so.

Look at the map above. The Democrat lost California, but won SC? Mind you, there were extraordinary reasons for this. First, it was Vinick‘s home state. Second, Leo’s death was announced with another hour of voting to go in California. OK, fine — but if West Coast voters were balking at Santos because of Leo, then how did he win Oregon and Washington state?

You can see at a glance how SC sticks out like a sore thumb in blue. The Democrat would win Virginia or North Carolina or Florida way before winning here. It just doesn’t add up…

Sorry, but there’s NO WAY Matt Santos won South Carolina

The Santos-Vinick debate.

The Santos-Vinick debate.

This morning while working out, I saw episode 16 of the seventh and last season of “The West Wing,” the one titled, “Election Day Part I.

It’s the one that ended with Leo (my favorite character!) being found in his hotel room. Dead, I’m guessing (this was originally aired several episodes after John Spencer’s actual death). The episode ended with people rushing into the room after Annabeth finds him and calls for help.

So I’m braced for an emotionally wrenching Part II.

Only six episodes left…

But before we move on, I must offer my one criticism of this episode: As someone who has been closely covering SC politics for 27 years, I can tell you that it is utterly incredible that Santos would have won South Carolina.

Nothing happened in this fictional campaign that could possibly have overcome the state’s strong preference for the GOP.

Sure it’s conceivable that one of these days, a Democratic presidential nominee could win this state again. But it would take extraordinary circumstances. It most certainly would not be this candidate, who ran on a platform of public education and healthcare reform.

Speaking for myself and possibly other South Carolina swing voters, I found his obsession with public education — something that is not a legitimate concern of the federal government — quite off-putting. Santos projected himself as a liberal’s liberal. Not someone who is likely to make this red state change its mind.

I’m not sure I would have (as Kate Harper apparently did) voted for Arnie Vinick, but I found him a fairly appealing candidate. I would need to know more about both candidates and their platforms than I got from the show. But I know that Santos, as sympathetically as he was portrayed, still did not gain a lock on my support.

The two explanations offered in passing, over the last few episodes, for South Carolina’s move into the Santos column were:

  1. The nuclear plant accident in California. A couple of episodes back, it is noted that states with nuclear plants were starting to go for Santos, because of his complete opposition to nuclear power (and because Vinick had pushed to get the plant where the accident occurred up and running 25 years earlier). I don’t think SC would abandon its acceptance of nuclear power that easily. I know that I saw nothing in the San Andreo accident to make me decide nuclear power qua nuclear power was unsafe. Then again, maybe I’m not typical.
  2. A greater-than-expected turnout of black voters in SC. This is implied by the fact that halfway through Election Day, as exit poll numbers come in, Stephen Root’s character (a member of the Vinick campaign team) dismisses the SC numbers because the exit poll has “oversampled” black voters. He draws that conclusion because the proportion of black respondents is higher than the proportion of registered voters who are black. What he is apparently missing is that black voters did indeed turn out in higher-than-expected numbers. I have seen nothing to indicate that that would be likely. In fact, an earlier episode showed Santos having a problem with black voters elsewhere in the country, and there’s no explanation of why SC would buck that trend.

Yeah, I know. It’s make-believe. I’m overthinking it.

But I’m just trying to squeeze as much as I can from these last few episodes. So little time left…