Category Archives: Popular culture

That’s not MY Christina…

Kathryn probably thought she was doing me a favor sending me this link to a piece about a Christina Hendricks photo shoot. But I was disappointed. She’s way more attractive on “Mad Men,” and most attractive of all back on “Firefly” (see below). In this shoot, they made her look way artificial, almost like there’s a plastic coating covering her from head to toe. Nevertheless, Christina herself seems proud of it, because they got it from her site.

Whereas I want to see the real Joan. I mean, Saffron. I mean, Brigid. I mean, Yolanda. I mean, of course, Christina.

Speaking the same language, but only technically

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You know how I just got HD? Well, this process all started with me wanting a Blu-ray player so I could watch Netflix without waiting for the discs to come in the mail.

That part of the project has been… tricky. I’ve spent several late nights in the past week trying to get that one simple thing done.

I thought I’d share with you my conversation — excuse me, “chat,” which isn’t the same thing — about the problem with a tech at Sony. As you read it, imagine unexplained pauses of five or 10 minutes while I wait for short, incomplete answers from the tech. Of course, when I took a couple of minutes to go try what the tech suggested (going through the process on a different browser), I got “Please acknowledge my question, so that I can assist you better.”

Note that, while it’s all in English, there is a distinct… disconnect… in the flow of communication. I get the sense that each comment is being run imperfectly through a translator. And it was amazingly frustrating. I was so desperate to work effectively with this person that I even slipped into a stilted version of English myself, hoping it would facilitate things (“Yes, it persists.” To which I got another deadpan, Hal-9000 answer):

Corinne_ > Hi Brad. Welcome to Sony Online Support. I’m Corinne. Please allow me a moment to review your concern.

Brad Warthen > Here is a full description of the problem:

Brad Warthen > I’m trying to get Netflix on my new Blu-ray player. I have an internet connection, but when it tells me to go to internet.sony.tv/netflix on my computer and enter a password, I run into trouble. That address asks me for my e-mail address and a password. So I enter my e-mail address, and the password that the Blu-ray player told me to use, and I get “The password you entered is invalid. Please enter a valid password.” So I try the password I created when I registered my player, and I get the same message. So I click on “Reset or Forgot your Password” and follow the directions, and you send me a new, temporary password. I’ve done this THREE TIMES now, and each time I enter the new, temporary password minutes (sometimes seconds) after receiving it, and I get “Your temporary password has expired. Please change the existing password at SonyStyle website.” Every time, same message. So what in the world am I supposed to do now?

Corinne_ > I am sorry that the BD Player can not be registerred in the Sony Essential website.

Corinne_ > Thanks for waiting, Brad.

Corinne_ > I’ll be happy to assist you in this regard.

Corinne_ > Do you have a SonyStyle account?

Brad Warthen > Yes.

Corinne_ > Did you try using different Web Brower?

Brad Warthen > No. I just used Firefox.

Brad Warthen > Hello? Are you there?

Corinne_ > Yes, I am online.

Brad Warthen > I said no, I just used Firefox. Is there a preferred browser?

Corinne_ > Brad, it is recommened to open the Eseential website in either Internet Explorer or Mozilla Firefox 3.6.

Corinne_ > Please check the operation with a different web browser.

Brad Warthen > I’m using Firefox. 3.6.10. But I’ll go try IE as well.

Corinne_ > Sure, please go ahead.

Corinne_ > Please let me know if the issue persists.

Brad Warthen > … that is, assuming it still works… I never use IE; I always use Firefox or Chrome…

Corinne_ > Please let me know the result after using Internet Explorer.

Corinne_ > Please acknowledge my question, so that I can assist you better.

Brad Warthen > Yes, it persists.

Brad Warthen > I tried all my passwords, then requested a new one. When I entered the new one, I got “Your temporary password has expired. Please change the existing password at SonyStyle website. ” Again.

Corinne_ > I am sorry to hear this.

Corinne_ > Thanks for the additional information.

Corinne_ > I am really sorry for the delay in response.

Corinne_ > This is a dead lock issue.

Brad Warthen > What does that mean?

Corinne_ > This deadlock issue can handled by our next level of support over phone.

Brad Warthen > OK, what’s the number?

Corinne_ > They are our next level of support and better eqipped to help you resolving the issue.

Brad Warthen > OK. What’s the number, so I can call them?

Corinne_ > They are available at: 239-768-7547.

Corinne_ > Their hours of operation is:

Corinne_ > Mon-Fri 8:00AM-12:00AM (Midnight) ET

Sat-Sun 9:00AM-8:00PM ET

Brad Warthen > OK, I’ll call, and tell them it’s a “deadlock issue.”

Corinne_ > I am sure that they will be more than happy to further assist you resolving the issue.

Corinne_ > Please mention that you have contacted Chat Support Team for the same regard before while contacting the.

Corinne_ > Hence, theyb will be further assist you fixing the issue.

Corinne_ > Thus, you can access Netflix fine in the BD Player.

Corinne_ > Are you able to take it from here?

Brad Warthen > Yes. I was trying to copy the text of this chat so that I’d have the number and times, but the text box doesn’t allow me to select it. Could you e-mail me the info?

Corinne_ > Sure, Brad.

Corinne_ > I’ll forward this chat transcript to your Email ID for future reference.

Brad Warthen > Thanks. Goodbye.

Corinne_ > This Chat Transcript has been sent to: brad@bradwarthen.com.

Corinne_ > You are most welcome.

Corinne_ > It was really nice chatting with you.

Corinne_ > Have great time ahead!

Corinne_ > Good-bye and thank you for contacting Sony Online Support.

Corinne_ > Analyst has closed chat and left the room

So I guess tonight, I’ll be on the phone for several hours.

Gamecock fans, you may now thank me

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How did the Gamecocks topple the No. 1 college football team in the nation? Well, I’ll tell ya…

Saturday was the first time I watched an entire Gamecocks football game ever. So of course, it follows that they had their biggest win since I moved back to SC in 1987.

As you know, I’m not a football fan. But I now have HDTV in my house. I got the TV for my birthday, and Thursday the cable guy spent 7 hours at my house hauling it out of the 18th century. So this was the first Saturday since I got HD, and as I always suspected, I DID get interested in football once I had HD. Something about the color and spectacle of it, rendering in super-sharp digital imagery. (“Hyper-intense eye candy,” as I described it after the first time I experienced it.) A true case of the medium being the message, I guess.

And I enjoyed it. I say again, I’m not a football fan, but there’s a certain enjoyment to be had in watching someone do something well. Back when I was a reporter and sometimes helped out the sports department by covering a game for them in one of the rural counties I covered, I used to always sit in the stands — the press box held no charms for me — and when there was a good play by either team, I’d get so into it, I’d stand up to applaud. Which was awkward if the stands I happened to be sitting in was occupied by fans of the opposite team.

And on Saturday, we saw Stephen Garcia (selected as national Offensive Player of the Week by the Walter Camp Football Foundation), Marcus Lattimore and the rest of the boys playing football just as it should be played. Which was fun to watch.

Oh, and if you doubt that they won because I was watching, here’s proof: I didn’t quite watch the entire game. I wandered away from the TV during halftime, and missed the beginning of the second half. Yes, I was out of the room when Garcia bizarrely threw for a safety. In other words, the Chicken Curse briefly asserted itself when I wasn’t watching.

As a new business model for the blog, I may turn from advertising and instead get Gamecock fans to pay me to watch every minute of every game in the future. If the price is right, and it’s on HD, I just might do it…

The real Don Draper (Draper Daniels, who called himself “Dan”)

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Draper "Dan" Daniels and Myra Janco in 1965.

As the fourth season of “Mad Men” unfolds, fans wonder:

Will Don Draper get it together, or continue to unravel?
Will Peggy or Joan just get fed up to the point that she slaps every man on the show upside the head in a vain attempt to inject some sense into them?
Will Betty and her new husband just be written out of the show? Please?
Now that it’s 1964, will the show work with a post-Beatles sound track, or will the whole martinis-and-skinny ties mystique evaporate? (Hearing “Satisfaction” in the background the other night really made ol’ Don seem more anachronistic than usual, which I suppose was the point. Although I suppose the “can’t be a man cause he doesn’t smoke/the same cigarettes as me” part was apropos.)
Is Don Draper actually modeled on real-life Mad Man Brad Warthen?

On that last one, to end your suspense, the answer is no: The uncanny physical resemblance is merely coincidental.

In fact, we have learned who the real-life model was: Draper Daniels, who called himself Dan (… were in the next room at the hoedown… Sorry; I can’t resist a good song cue). His widow wrote a fascinating piece about him, and about their relationship, in Chicago magazine. You should read the whole thing, headlined “I Married a Mad Man” — as my wife said, it’s an “awesome” story — but here’s an excerpt:

In the 1960s, Draper Daniels was something of a legendary character in American advertising. As the creative head of Leo Burnett in Chicago in the 1950s, he had fathered the Marlboro Man campaign, among others, and become known as one of the top idea men in the business. He was also a bit of a maverick.

Matthew Weiner, the producer of the television show Mad Men (and previously producer and writer for The Sopranos), acknowledged that he based his protagonist Don Draper in part on Draper Daniels, whom he called “one of the great copy guys.” Weiner’s show, which takes place at the fictional Sterling Cooper ad agency on Madison Avenue, draws from the golden age of American advertising. Some of its depictions are quite accurate—yes, there was a lot of drinking and smoking back then, and a lot of chauvinism; some aren’t so accurate. I know this, because I worked with Draper Daniels in the ad biz for many years. We did several mergers together, the longest of which lasted from 1967 until his death in 1983. That merger is my favorite Draper Daniels story.

Reading that article, I wondered: If Don is Dan, who on the show is Myra?

As I read, I got a sense that it could be… Peggy. A woman who was a professional colleague of the main characters, a woman who had risen to an unprecedented role for her gender at the agency? Sounds kinda like Peggy to me — aside from the age difference. After all, Peggy and Don got awfully cozy that night of the Clay-Liston fight…

We’ll see…

Peggy and Don on the night of the Clay-Liston fight (Feb. 24, 1964).

Way better than Hawking

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Just thought I’d share this clip I got from Stan Dubinsky. It’s Steve Martin’s take on “the atheist hymnal,” which he undertook to write — a single song, on one sheet of paper. He performed it with the Steep Canyon Rangers perform at Merlefest 2010.

Way more compelling than that Stephen Hawking piece.

This must be Labor Day

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The way I can tell is that the election-related interview requests have started coming in at a brisk clip.

Last week there were three. I meant to tell you about them because one of them was New Watch on WIS, which aired Sunday morning. So unless you’re some kind of heathen who sits around watching TV on Sunday morning (and I say that without meaning any aspersions upon the heathen community), you missed it, because I forgot to tell you about it.

Ex-Mayor Bob Coble saw it, and sent me a note to say “Good job on Newswatch,” which I appreciate. Not to say Mayor Bob is a heathen. He’s just way into politics; he can’t help it.

I taped that Thursday afternoon. Then I also taped a segment over at ETV on Friday, also about the election. That won’t air until sometime in October. (It was broader, big-picture stuff, not as pegged to the news of the day.) I’ll get the date and try to remember to let you know.

Back on Thursday, I got an e-mail from Chris Haire with Charleston City Paper, to the following effect:

Just wanted to see if you have time to talk. I’m working on a story on the ongoing Nikki Haley rumors. Here’s the angle: With no proof out there, the only way to truly address this is as a smear. And, what’s particularly odd here, is that it’s such an ongoing smear — and truth be told, arguably the most ineffective smear in history. The question here is why it’s still happening.

I found that cryptic. I assumed it was a reference to this. But it wasn’t. It was a reference to something else, something I hadn’t heard about (and wish I still hadn’t), specifically this. (Which led later to this.)

I talked with him, and tried to say something coherent, but what are you supposed to say? Frankly, I’m just like most folks in South Carolina — uncomfortable as hell talking about this stuff. Which is why I sort of doubt it will emerge as visibly as it did back during the primary. At least, I hope it doesn’t.

Anyway, I asked Chris to let me know when that is published. If and when I see it, I’ll give y’all a link. If I forget to look, and y’all see if first, remind me. I want to keep y’all in the loop. I just forget sometimes.

You still have a landline? Haw! The AZTECS had landlines!

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OK, so I stole that line from Dave Barry, who said it once to make fun of people who had Betamax video recorders (“Beta?! The AZTECS had Beta!” — or something very much like that), which is made extra ironic because the triumphant VHS technology is now SO last century…

But you get the point. Landlines are rapidly going the way of buggy whips and, well, TV sets — at least in consumer’s minds.

TV sets? you say. Yes, TV sets. This from the Pew Center for Media Research:

Landlines And Television Sets Losing Importance

According to a new nationwide survey from the Pew Research Center’s Social & Demographic Trends project, reported by Paul Taylor and Wendy Wang with Lee Rainie and Aaron Smith, only 42% of Americans say they consider the television set to be a necessity. Last year, this figure was 52%, and in 2006, it was 64%.

After occupying center stage in the American household for much of the 20th century, says the report, two of the grand old luminaries of consumer technology, the television set and the landline telephone, are suffering from a sharp decline in public perception that they are necessities of life.

The drop-off has been less severe for the landline telephone. 62% of Americans say it’s a necessity of life, down from 68% last year, but 47% of the public now say that the cell phone is a necessity of life…

Note, first, that Pew, or at least the respondents, are using “need” and “necessity” in ways that would have puzzled our hardy pioneer ancestors. Note also that while fewer people see TVs as a necessity, they’re still buying them like crazy:

Even as fewer Americans say they consider the TV set to be a necessity of life, more Americans than ever are stocking up on them. In 2009, the average American home had more television sets than people, 2.86, according to a Nielsen report. In 2000, this figure was 2.43; in 1990, it was 2.0; and in 1975, it was 1.57.

The disconnect between attitudes and behaviors, opines the report, may be that the TV set hasn’t had to deal with competition from new technology that can fully replace all of its functions. If a person wants real-time access to the wide spectrum of entertainment, sports and news programming available on television, there’s still nothing (at least not yet) that can compete with the television set itself…

So don’t write the obit yet. But as for landlines — exactly why DO I still have one? So I won’t miss the telemarketing calls?

I see also that only 10 percent regard flat-screen HDTV as a necessity. It’s probably going to be in the high 90s before I get one. Mainly because, much as I want one, my sense of need is still pretty old-fashioned…

The South won’t rise again, but it will keep on making head fakes in that direction

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Imagine the irony! I was listening, via Pandora, to an excellent live version of Levon Helm singing his masterpiece, “The Night They Drove Old Dixie Down.” It opened with a little horn riff on “Dixie” itself. The song is simply magnificent, capturing everything that was noble and tragic and horrible and epic and personal in our ancestors’ fall into defeat.

So imagine how it was ruined for me by, even as I was listening to it and appreciating it, reading this low farce from Karen Floyd:

Dear Subscriber

An unprecedented event recently occurred, where the president of the United States issued a report to the U.N. Human Rights Council that bashed a state law. In a desperate attempt to gain the awe and admiration of global elitists, President Obama sounded off about the many “sins” in America’s history, including Arizona’s new illegal immigration bill.Obama writes, “A recent Arizona law, S.B. 1070, has generated significant attention and debate at home and around the world. The issue is being addressed in a court action that argues that the federal government has the authority to set and enforce immigration law. That action is ongoing; parts of the law are currently enjoined.” He also went on about how he is seeking to offer free health care to illegal immigrants.

The context of this U.N. forum is to discuss human rights in the United States. Apparently, Obama thinks that Arizona’s law is in violation of human rights, which is why he is not only suing the state, but also reporting it to the U.N. council.

Lesson learned everyone: a liberal will always seek the praise and respect of foreign powers over the rights of the American people or the Constitution.

As a direct result of Obama’s ridiculous report to the U.N., the Arizona law will come under formal review on November 5 by the three member countries of the UN Human Rights Commission: France, Japan, and Cameroon. The U.N. Commission will then issue directives on what they recommend the United States do in response to the Arizona law.

This is simply outrageous! How can an American president sell out his own countrymen to a foreign entity over a state law that simply enforces existing federal laws? Our president should be bowing to the people’s demands, and NOT the whims of an international organization.

Folks, it is time to fight back. We desperately need trusted conservatives like Mike Mulvaney, Nikki Haley and Jim DeMint to fight for our liberties and state sovereignty. The elitists in Washington are trying to allow a foreign power to dictate your life and safety. Will you allow this to happen?

Click here to help fund conservative change and individual rights! Let’s help elect individuals who will enforce the Constitution and stand up for our rights and sovereignty.

Sincerely,

Karen Floyd

SCGOP Chairman

P.S. Let’s take the battle to them and send Obama a message! Please click here to donate now.

Just as elites conned the poor white population into being their cannon fodder in a lost and bankrupt cause in 1860, this new strain of Radical Republicanism keeps playing on the same resentments and sensitivities and inferiority complexes to manipulate the great mass of white voters in the South today.

They just keep on driving Dixie down.

The Fatties vs. the Fantasists: A hypothetical rematch with the Japanese

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Last night, by way of explaining to my daughter more fully why Roger Sterling was so abominably rude to the guys from Honda in last week’s “Mad Men” I popped in the first episode of “The Pacific.” (As I’ve mentioned, since I’m currently reading the books that series was based on — I’m on Eugene Sledge’s With the Old Breed now — that theater is much on my mind.)

For most of us, buying Hondas and Toyotas, and even, most improbably, Mitsubishis (as in, the Zero) comes fairly naturally. There is probably less conflict in the national psyche over those than over, say, Volkswagen. But for those who fought in the less-understood Pacific war, the stress of fighting a suicidally aggressive enemy with seemingly superhuman commitment to his cause, would be something that would mark you forever.

But if we had a rematch with the Japanese, it might go differently.

Did you see the NYT story on the front page of The State today, about how Army training has been “walked back” a bit to make it less stressful on recruits who grew up playing video games instead of baseball? An excerpt:

FORT JACKSON, S.C. — Dawn breaks at this, the Army’s largest training post, with the reliable sound of fresh recruits marching to their morning exercise. But these days, something looks different.

That familiar standby, the situp, is gone, or almost gone. Exercises that look like pilates or yoga routines are in. And the traditional bane of the new private, the long run, has been downgraded.

This is the Army’s new physical-training program, which has been rolled out this year at its five basic training posts that handle 145,000 recruits a year. Nearly a decade in the making, its official goal is to reduce injuries and better prepare soldiers for the rigors of combat in rough terrain like Afghanistan.

But as much as anything, the program was created to help address one of the most pressing issues facing the military today: overweight and unfit recruits…

Now, I’m not about to call today’s war fighters wimps. Especially not the tip-of-the-spear types like the Marines, or the Airborne divisions, or the Rangers or other elites. They are, if anything, tougher than ever, and certainly more lethal.

But that story gives us a hint of what it would be like if the Army ceased being so selective because it was handling a mass mobilization such as that of 1941-45. Imagine soldiers who had never done a pushup in basic trying to make their way through a fetid jungle in 100-degree-plus temps.

But fear not, because in today’s WSJ, we have evidence that they would not be met with shrieking madmen eager to die for their emperor. Get a load of this:

Since the marriage rate among Japan’s shrinking population is falling and with many of the country’s remaining lovebirds heading for Hawaii or Australia’s Gold Coast, Atami had to do something. It is trying to attract single men—and their handheld devices.

In the first month of the city’s promotional campaign launched July 10, more than 1,500 male fans of the Japanese dating-simulation game LovePlus+ have flocked to Atami for a romantic date with their videogame character girlfriends.

The men are real. The girls are cartoon characters on a screen…

Love Plus+ re-creates the experience of an adolescent romance. The goal isn’t just to get the girl but to maintain a relationship with her.

After choosing one of three female characters—goodie-goodie Manaka, sassy Rinko or big-sister type Nene—to be a steady girlfriend, the player taps a stylus on the DS touch-screen in order to walk hand-in-hand to school, exchange flirtatious text messages and even meet in the school courtyard for a little afternoon kiss. Using the device’s built-in microphone, the player can carry on sweet, albeit mundane, conversations.

Wow. Get those guys charged up on saki, and they’re not going to be screaming “banzai,” but drooling over decidedly unwomanly avatars, hoping for a pretend peck on the cheek.

So maybe a nation of fatties could take them. But probably only in a virtual war, fought on a virtual playing field. At least our video games are tougher than theirs, if this is an example.

Maybe Harry Turtledove will take on this topic.

Le Carré trash-talks James Bond

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Don’t know if you saw this in The Telegraph last week, but they resurrected a 1966 interview Malcolm Muggeridge did with David Cornwell (workname John le Carré), in which he called 007 a “neo-fascist gangster” and elaborated:

“I dislike Bond. I’m not sure that Bond is a spy. I think that it’s a great mistake if one’s talking about espionage literature to include Bond in this category at all,” Le Carré said.

“It seems to me he’s more some kind of international gangster with, as it is said, a licence to kill… he’s a man entirely out of the political context. It’s of no interest to Bond who, for instance, is president of the United States or of the Union of Soviet Republics.”

Asked now about the interview for a programme to appear on BBC Four next week, he eased up a bit, but still had to say:

“But at the root of Bond there was something neo-fascistic and totally materialist. You felt he would have gone through the same antics for any country really, if the girls had been so pretty and the Martinis so dry.”

Oh, lighten up, Francis! We get it! We know Bond is a silly Hugh Hefneresque fantasy, and we know you are the gold standard for real spy fiction (although Len Deighton has occasionally given you a run for your money, such as in The Ipcress File). And we get that it was probably pretty galling in ’66 that everybody was talking about Bond when you were putting out such gritty stuff as your masterpiece, The Spy Who Came In From The Cold.

Anyone ever notice how, if you watch an early Bond movie after seeing Austin Powers, you realize Mike Myers was hardly exaggerating at all? It was all really that goofy.

But here’s the thing that concerned me the most about the Telegraph piece:

Bond has become a Hollywood hero, but Smiley may have the last laugh. While financial woes at film studio MGM have put the 23rd Bond movie on indefinite hold, a new film adaptation of Tinker, Tailor, Soldier, Spy is planned for 2012 with Gary Oldman and Benedict Cumberbatch in starring roles.

Remake “Tinker, Tailor”?!?!? Possibly the best thing ever made for the telly (closest competition being “Band of Brothers”)? Sacrilege! I mean, it’s like Anna Chapman trying to cash in on her celebrity after being blown. In either case, Smiley would be appalled. Gary Oldman is awesome and all (I sort of see him as Karla, though, who does not appear in Tinker). But let’s have a little respect. Maybe instead you could do The Honourable Schoolboy, which got skipped in the original BBC productions.

Ya ever wonder what happens to failed ‘Idol’ contestants?

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Well, in Canada, they just might become terrorists. At least, that’s what the Mounties say.

Above, you see the very sad performance by Pakistani immigrant Khuram Sher on “Canadian Idol” in 2008. Two years later, here’s what the authorities say about him:

OTTAWA—Canadian authorities said they found and foiled a terrorist bomb-making plot by three men here—one allegedly with links to the conflict in Afghanistan and another, a pathologist who auditioned for the TV show “Canadian Idol.”

The Royal Canadian Mounted Police arrested the trio of Canadian citizens after raids on their houses turned up schematics, videos, drawings, books and manuals for making explosives, said Serge Therriault, Royal Canadian Mounted Police officer in charge of criminal investigations.

The suspects—identified as Hiva Alizadeh, 30 years old; X-ray technician Misbahuddin Ahmed, 26, both of Ottawa; and hospital worker Khurram Syed Sher, 28, of London, Ontario—were charged Thursday with “knowingly facilitating a terrorist activity.”

“A vast quantity of terrorist literature and instructional material was seized, showing that the suspects had the intent to construct an explosive device for terrorist purposes,” said Mr. Therriault. The arrests Wednesday and Thursday “prevented the assembly of any bombs or terrorist attacks from being carried out,” he added.

The trio were working with an “ideologically inspired terrorist group” with links in Iran, Afghanistan, Dubai and Pakistan, the RCMP said. While officials would not say whether the trio had links to al Qaeda, they were driven by “violent Islamist ideology,” according to Raymond Boisvert, assistant director of the Canadian Security Intelligence Service, the country’s spy agency.

NOW will y’all listen to me? Reality TV is a threat to all we hold dear, I keep tellin’ ya!

The stories I’ve seen haven’t been terribly specific as to WHAT these guys were plotting, but the most diabolical thing I could imagine would be if their plan all along was to get busted, and cause this video to go viral, thereby sapping Western morale. (And look — they’ve even tricked me into furthering their plan!)

A couple or three additional points:

We’re seeing the continuation of a pattern (hey, with such astuteness on my part, maybe they’ll base a character on me on “Rubicon”) of terror groups using agents who will be called “homegrown” in Western media. Sure this Triple Threat (singin’, dancin’ and blowin’ stuff up) has only been in the country 5 years, but it’s long enough to become legit and evade the scrutiny of the immigration authorities.
Here we have another instance of Privacy Gone Mad in an Exhibitionist Age: “The spokesperson at the hospital in Ottawa where Mr. Ahmed works said he couldn’t disclose personal information due to Canadian privacy laws.” Yet we can find out WAY more than we want to know about Sher — where he’s from, how long he’s been here, his hopes, his dreams — on “Idol.” Sheesh.
I was just about to throw up my hands and say, “Never mind! Maybe I don’t want a Canadian-style health system!” when I read in the lede of that WSJ story that Sher was “a pathologist.” But then below, I see that he was just a “hospital worker.” Make up your mind, WSJ. And yeah, I still want a Canadian-style system. Only I want the government to forbid anyone who treats sick people to appear on “Idol.”

Pandora needs a “like it a LOT” button (although it’s doing pretty well without one)

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Here’s a conundrum…

Pandora, the “internet radio” site that attempts to use your feedback to shape “stations” that play stuff you like, has a pretty simple system for your input: After you enter a song or artist (or multiple songs or artists) that you’d like to hear, it guesses what else you might like based on that, and you click on either a thumbs-down button meaning “I don’t like this song,” or a thumbs-up meaning “I like this song.”

That’s it. No gradations of feedback. It’s way binary; ones and zeros. I try to click on one or the other on most songs. I don’t sit there poised with the mouse, but every few songs I ALT-TAB back to Pandora to catch up with my decisions (except when I’ve gotten lost in my work and lost track of what I was “hearing,” and even then if I’m familiar with the song, I render a judgment).

But I find this frustrating everyone once in a while. Most of my “likes” mean, “I don’t mind if you keep this in my mix.” But every once in a while, they play me something I really, REALLY dig.

Examples… I have a lot of stations for different kinds of music, but recently I’ve spent a lot of time defining one called “Brad’s All-Purpose Station.” In the “I don’t mind if you keep this in my mix” on that station, I’d include “After Midnight,” “Angie,” “Another One Bites the Dust,” “It’s Money That Matters,” “Long May You Run,” “Oh! Darling,” “Smoke on the Water,” and so forth.

But there are other songs that I want to make sure Pandora knows I really like a LOT more than those songs. It may be an all-time favorite, or a really good song I seldom here and don’t own a copy of, or something I’ve occasionally heard and loved but didn’t know the name of… all sorts of reasons. Into that category I’d put: “Sexy and 17,” Another Girl,” “Baby, It’s You,” “Badge,” “Adagio for Strings,” “Bring it on home to Me,” “Don’t Think Twice, It’s All Right,” “Gymnopedies (3),” “How Can You Mend a Broken Heart (the Al Green version!),” “I’ll Cry Instead,” “In Germany Before the War,” “I’ve Got A Woman,” “Naked Man,” “New Amsterdam,” “Simple Man,” “Werewolves of London,” and others. Oh, and on that last one: I’d much rather hear “Lawyers, Guns and Money,” or “Roland the Headless Thompson Gunner,” but neither has yet been offered.

When I hear one of those, I want to say, Whoa, I’m sorry I clicked “like” on those last 10, because this is what I REALLY like! Don’t just lump this in with those… But all I can do is click again on the “like” button.

OK, so I’m frustrated that I can’t give more nuanced feedback, but here’s the perplexing thing: In spite of that, Pandora does an increasingly excellent job of guessing what I’ll like. As time goes by, I hit that “don’t like” button quite seldom.

Contrast that to Netflix, which gives me five levels of feedback, from one to five stars — and yet remains pretty much clueless as to what I’d like.

Not that I haven’t put the time in… I’m sort of embarrassed to admit this, but I’ve rated 2,144 movies on that site. I keep thinking, Give ’em more data, and they’ll figure me out. But they don’t. You give “Casablanca” five stars, and Netflix assumes, “He likes any movie that’s more than 50 years old.” Yeah, it’s probably a little more sophisticated than that — but not much.

Frustrating. But kudos to Pandora.

“Again with the negative waves, Moriarty!”

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Again with the negative waves!

Once again, the media are filled with negative vibes about our economy, utterly heedless of the fact that the central tenet of the Warthen School of Economics is that “the economy” is an utterly abstract and theoretical thing built from collective emotions, and that the greatest single cause of “bad economic conditions” is negative thoughts regarding the economy.

This time, my beef is with this headline in the Columbia Regional Business Report:

Final accounting for S.C. fiscal ’10 paints grim financial picture

Thing is, the story (by my old friend Jim Hammond) is actually about what already happened with the state budget, which is fine. What gets me is that the headline implies bad economic times ahead. At least that’s the way I erroneously read it. And headlines are enough to make things bad.

To end with the words with which Oddball ends the above serious of clips, Why don’t you say something righteous and hopeful for a change?

And yeah, I’m kind of being facetious here. I just wanted an excuse to run the Oddball clips from “Kelly’s Heroes.” This, by the way, was what I was looking for earlier when I ran across the Kerouac clip.

711, for your convenience

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Just to remind you that all the cool kids are following me on Twitter, just in case you still are not.

I mentioned last week that I thought I’d reach the goal of 700 followers by the end of the week, and I did. I’m now at 711, which of course puts me in mind of 7-Eleven, which seems meaningful because my dear wife’s late father was in the convenience store business, and her brother still is, in Memphis. 7-Eleven was a competitor of theirs, although I don’t think it’s been in that market for quite some time.

Remember when “7-Eleven” actually meant that the store was open hours and hours (from 7 a.m. to 11 p.m.) before and after a regular supermarket, for your convenience? It sort of shows how radically our retail culture has changed since the ’60s. Now, a convenience store has to rely on location, more than longer hours, to get business. Except for those that are open 24 hours — but then, there are supermarkets that do that, too. And Wal-Mart.

Yes, boys and girls, there was a time when we had down time, when we weren’t running around buying stuff every minute for the simple fact we couldn’t. We just waited and bought stuff when the stores were open.

Hard to imagine, I know…

We also weren’t in touch with everyone we knew, every second, 24/7, via such media as Twitter… which brings me back to my new goal, which is to exceed 1,000 followers by the end of the year. Not a very ambitious goal, I’ll admit, because the number can be manipulated. I try to keep the number of people I follow close to half the number following me. When I fall short of that, I follow more until I get up to that halfway mark, and presto, there’s a sudden rush of new followers. Just the way social media works. But it’s good to have goals, or so I’m told.

Hope to see you there…

SC Democrats give sarcasm a try with new TV ad

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This just in from SC Democrats:

COLUMBIA- South Carolina Democrats fired the opening shot of election season with a television ad criticizing Republican gubernatorial candidate Nikki Haley for her tax hypocrisies. The ad, titled “Thanks Nikki,” will begin airing today in Columbia.

In the ad Mark Sanford’s disciple, who voted for a two percent rise in the sales tax and against a sales-tax exemption for groceries, is “thanked” by her constituents for failing to vote for South Carolina interests. Video may be also viewed on the ad’s companion site, http://thanksnikki.com.

South Carolina Democratic Party Chair Carol Fowler said today that the ad will inform voters about Haley’s real legislative record.

“Voters deserve to know the truth about Nikki Haley and her record of broken promises,” said Fowler. “This ad only skims the surface of Haley’s hypocrisy and highlights the stark contrast between her campaign promises and her actions in the legislature. Voters are already starting to realize that Nikki Haley’s candidacy is all smoke and mirrors. South Carolinians are ready to move forward with real leadership.”

Nikki certainly asks for sarcasm, by running on transparency while dragging her heels on being transparent, and by touting her accounting abilities while failing repeatedly to do what most of us do every year (file our taxes on time).

But whether this approach will work remains to be seen. For one thing, it’s too focused on taxes, rather than the items that she’s really begging for sarcasm on. And yeah, Nikki voted for the execrable Act 388, which is a big reason why the Chamber is backing Vincent Sheheen. And while that act foolishly and carelessly raised the sales tax, it did so in order to (equally foolishly and carelessly) drastically reduce property taxes on owner-occupied homes. And if I’m a Haley supporter, I’d protest vociferously the use of a house (for the “through the roof” metaphor) to illustrate the point that she raised sales taxes, thereby subliminally giving the erroneous impression that she raised homeowner property taxes.

Of course, she DID raise property taxes — on businesses and rental property (thereby raising rents on those who can’t yet afford to buy) — by pushing the burden from those whiny people with houses on the lake to other categories of property tax. But this doesn’t make that point, at least not overtly.

There are two main problems with this ad. First, that it oversimplifies. Nikki is definitely guilty of voting for very bad ideas in the realm of taxation. She is one of the reasons why we so desperately need comprehensive tax reform, because she has so thoughtlessly participated in fouling up the system, making it less logical, less fair and less effective.

Second, this sidesteps the two things Nikki is most vulnerable about in order to go after her on taxes. This is no doubt based in an assumption (possibly backed by polling or focus groups, but I have no idea) that voters care more about taxes than about the fact that Nikki is such a hypocrite on her signature issues. It’s a risky move, trying to out-anti-tax a Republican in a general election. (Also, if you’re a Democrat, do you really want to call your opponent a “tax and spend…” anything?) But I guess they figure, what do they have to lose?

You’ll say that this calculation and oversimplification is just the way the game is played. Yep. And that’s a shame. Because there are very good reasons why no one should vote for Nikki Haley, and this ad only skirts them.

“Rubicon”: Better than “Mad Men” — so far

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I sort of vaguely griped about the season opener of “Mad Men,” and I don’t seem to be alone in feeling a certain ennui regarding the doings of Don Draper et al. (although I agree the recent episode centered on the admirable Joan was an improvement).

But just to show that I don’t just gripe and criticize… the new AMC original series that runs right before it, “Rubicon,” is thus far excellent.

I still don’t know why it’s called “Rubicon” — who or what has crossed a line that means there is no going back? — but so far it invites comparison to the very best British dramas one finds on PBS (not just in terms of content, but the direction and cinematography; it just LOOKS and FEELS like one of those shows). It’s not quite up to the standard — yet — of the greatest spy drama ever shown on the telly, the BBC’s “Tinker, Tailor, Soldier, Spy,” but it’s very good (perhaps comparable to “Game, Set and Match“). And unlike with “Mad Men,” the characters don’t repel you; you can actually CARE what happens to them.

I was reminded to say something about “Rubicon” by my good friend Jim Foster, who wrote me earlier this week praising it. To which I responded:

I’ve watched the first two, and taped the third last night (I had to reach way back in my memory to recall how to tape anything, but I did it).

Way better than Mad Men so far.

Although I have problems. For one, let me ask you as a former newspaper features editor: How credible do you find it that a spy agency would be ABLE to coordinate messages in several different newspapers’ crossword puzzles? I mean, really? Hell, if you were the executive editor, you wouldn’t be able to coordinate it in your OWN paper…

Second: I find it incredible that this desk man walks the streets alert to surveillance and such, in his own home city. No way. A field agent in Moscow, or Beijing, or Tehran, mayBE — but a desk man walking home from work in the States? I don’t think so…

Jim answered that while a desk man’s tradecraft would be sloppy, he didn’t find it that incredible that he spotted a tail — especially when the follower was clumsy himself. As for my other point, he said, “I agree with you about the crossword puzzles but am willing to suspend my disbelief on that, just because it’s fun.” As the former editor who among many other things was responsible for the crosswords in The State, Jim knows the mechanisms involved in that process, and therefore how incredible this plot device is. But point taken; I’ll suspend my disbelief.

The whole thing’s good enough that it makes me rethink not wanting to see “Breaking Bad,” even though I’ve always found the premise and promotion so off-putting. AMC is developing quite a reputation for quality. Although I’d hate to see them give up showing classic movies, since that’s probably the main thing for which I have cable.