I see that the Academy Awards are being broadcast as I type this. So, let me go ahead and get to my point before the Oscars do. Which should be easy.
As y’all know, I don’t follow this stuff, at least not in this century. I’m not going to bore you yet again with why. But I do have a new thing to say — new to me, anyway.
Because I haven’t followed this nonsense since the late 1990s, I didn’t know that nominations for Best Picture had been expanded from five to 10, back in 2009. I ran across this fact when reading about something else, and since it was new to me, I was shocked and appalled.
Oh, I’m not one of these people who goes around griping and moaning because all the kids in Little League get a trophy. They’re kids. They should get a trophy just for showing up at the games.
But with the Oscars, we’re talking about grownups. Rich and powerful (within their own little world) grownups. You don’t have to give them all a trophy. And you don’t have to pretend that ten films — more new movies than I’m likely to see in a year, now that I don’t worry about seeing all the nominees before the Oscars show — are worthy of serious consideration for the highest honor (to the extent that the Academy is capable of confering honor).
And yes, I know that there were 10 back before 1945. But that was during the Golden Age. Ten nominees made sense in 1939. Not so much now.
Anyway, as it happens, I’ve actually seen four of the Best Picture nominees. My wife and I watched the fourth of them just last night, on Peacock. I haven’t seen the rest, because from everything I read and heard about them, I was content to wait until they became available for free, which they haven’t yet. Nothing I’d seen about them in any way suggested “must see.” So, in presenting the five I’m about to list, I’m giving a gift to those who wish to disagree with me. You get to yell, “He hasn’t even see the others!” That’s fine. You go ahead. I’m pretty sure I chose the right ones to spend my time on — mainly, the ones acclaimed on all sides as Best Picture material since the moment they came out.
But I know I can be wrong, and I look forward to seeing your alternative lists. I was wrong abtou this sort of thing once before, back in 1998. That was when I dismissed the idea that “Life if Beautiful” could be Best Picture material. I was appalled by the idea of a comedy about the Holocaust. But it worked, and it was wonderful. I would have been happy to see it win in that highest of categories. It’s made me more open to films that fit more or less into that category. Before I learned that lesson, I might have avoided “Jojo Rabbit.” MIssing that would have been a sad loss.
So maybe you, too, will give me a gift, and turn me on to something I had overlooked. Please do, if you possess such a gift to share.
But for now, here are my five:
- The Holdovers — This is the one I saw last night. Yeah, it’s a little small and quiet to be the winner, but at least at this moment, it’s my fave.
- Oppenheimer — The most impressive film I’ve seen this year, so the one I would choose if “impressive” were my only criterion. I meant to write a detailed post about it, but haven’t gotten to it.
- Maestro — Also a very impressive biopic, about an impressive guy. Hard to watch sometimes, but then so was Oppenheimer. That’s not a disqualifier for a Best Picture.
- Barbie — Lots of creative fun.
- Killers of the Flower Moon — The only one I haven’t seen, and only because it was on Apple TV+, and I cancelled that service (once I finished the most recent seasons of “Slow Horses”) before getting to it. I still intend to see it, but… I love Scorcese, and I was SO disappointed by “The Irishman.” I don’t want to go through that again…
That’s it for me right now. I’m going to go get some dinner now…