Category Archives: In Our Time

Moderates are rare in office, but fairly numerous out here in the real world

The other day, Bart shared with me the following piece from The New York Times. Before I provide an excerpt, I’ll share what Bart had to say first:

Brad,

I am copying and pasting an article in the NYT about Jim Cooper, a Blue Dog Democrat considered to be the last true moderate in the House.  A very good read.  FYI – linking to articles is not one of my strong points.

Personally, I think he has identified the turning point of politics in my lifetime and how things have devolved since Newt Gingrich, a man I have never liked for one second, was elected to congress.  Gingrich tries to come across as an intellectual but in my estimation, he is a man possessing a high I.Q. but without the ability to put it to proper use for the good of everyone, not just his own personal ambitions.

The article is a refreshing walk down memory lane when one considers the tone of things out there today.  There was a time when politics was populated with men and women who had a certain sense of duty to all citizens, not just party loyalty.

Thanks,
Bart

My response to Bart was to say:

I don’t know whether Cooper is the LAST, but there are precious few — in office. We’re not so rare out in the population.

Which is true. Unfortunately, our vaunted two-party system increasingly guarantees that moderates will not make it to Congress. No one has a chance in the fall without the backing of one party or the other. And the nominating process weeds out reasonable people, most of the time. Sort of makes me want to try running myself sometime, just to see how hard it would be. My prediction: Hard as getting a Republican to say something nice about Barack Obama. Or a Democrat about W.

Here’s the excerpt:

The Last Moderate

By 

Jim Cooper, a Blue Dog Democrat who represents the Nashville area, was first elected to Congress in 1982. He was 28, and if it’s not quite right to say he’s been there ever since — he spent eight years in the private sector after losing the race for Al Gore’s Senate seat — he’s still been a congressman most of his adult life.

You’d think that Cooper’s tenure would ensure him the privileges of seniority. It doesn’t. Considering that he’s a mild-mannered man, you’d think he’d have friends on both sides of the aisle. Not so. He’s loathed by Republicans for being in the wrong party, and scorned by Democrats for his fiscal conservatism. At the least, you’d think that he’d be respected for his institutional memory. Wrong again.

The reason is that Cooper is the House’s conscience, a lonely voice for civility in this ugly era. He remembers when compromise was not a dirty word and politicians put country ahead of party. And he’s not afraid to talk about it. “We’ve gone from Brigadoon to Lord of the Flies,” he likes to say….

Read the rest here.

The new normal: This is what a complete network TV crew looks like today

The other day, I was at the presser at which Jon Huntsman announced that Attorney General Alan Wilson was supporting him (which I still intend to write a post about, but haven’t had time to go back through all my notes), and at one point I happened to look around and think how very, very young most of the media people were.

When I stood in that same place two years ago representing The New York Post, in front of that same (I think) lectern, listening to Mark Sanford tell about his surprise vacation in Argentina, I didn’t think that. I saw mostly usual suspects I had known for years. (Although I did notice in photos of the gaggle later that I had the grayest hair in the bunch. It was one of those “Who’s that old guy? … oh!” moments.)

But the biggest difference between this group and the media mob scenes I experienced when I was as young as these kids were was that the TV crews are so much smaller. As I saw Ali Weinberg of NBC packing up her stuff after, I mentioned to her that back in the day, her network would have a four-person crew covering a presidential candidate: the talent, (at this point she started saying it along with me), the camera guy, the sound guy (and back then those two jobs usually were filled by guys), and the field producer. Now, it’s just her. And she’s in front of the camera, behind the camera, carrying the equipment, handling her own arrangements, Tweeting, and I don’t know what all.

Of course, it’s been this way for several years now. I remember Peter Hamby and others doing the same thing four years ago.

But seeing someone as petite as Ali getting ready to carry all that stuff kind of dramatized the situation. Yes, Ali agreed with me, all told it probably did weigh as much as she does. And no, she didn’t need any help.

Her affiliation reminds me of the NBC crew I kept running across in Iowa in 1980 when I was following Howard Baker, who was running in the caucuses that year. I rode with Jim and Flash (the sound and camera guys, respectively) through an ice storm in a four-seater plane between Des Moines and Dubuque. Just the two of them, the pilot and me. The pilot kept squirting alcohol on the outside of his windshield to make a clear space in the ice about the size of his hand to see through to fly. When we got out on the tarmac — which was covered in ice — I went to put my overcoat back on, and the wind caught it and I started gliding across the runway like a ship on the sea. (I only realized later — after the crash of Air Florida Flight 90 into the Potomac in 1982 — how dangerous that trip was.)

On another occasion, the producer of that crew — a pretty young woman who reminded me of the actress Paula Prentiss — overheard my photographer, Mark, and me discussing where we were going to stay the night and holding open our wallets to see what was left inside. She offered to put us up if we were in a bind. Producers had that kind of cash to throw around in those days. Like Ali today, we said no, thanks.

Those days are long gone.

Can you tell the sex of the writer?

I’ve given you nothing so far today, so perhaps even this, insubstantial as it is, will seem like something.

Among many things I did today instead of blogging was try to continue cleaning out my inbox, which a day or two ago was up to about 500. That happens because there are things that I don’t have time to deal with at a given moment, but that I want to do something with, so I leave them where I found them rather than filing them away, where I’ll never see them. And of course the next day another hundred and something come in, and I try to winnow those, but there are always a few more that end up staying there for the same reasons, and so on. Then, there are days I don’t really have time to cull at all, and things just get deeper and deeper.

No, it’s not a good system, but it is mine.

Anyway, I managed to dig today all the way down (I only have 211 left, mostly old stuff) to something I saved on June 3. It was this Tweet, which I had emailed to myself hoping to blog about:

Slate @Slate
Can you tell if this paragraph was written by a man or a woman? V.S. Naipaul says he can: http://slate.me/lWMWfg

Yes, I took the test provided by The Guardian — the one designed to determine whether I could do what Naipaul claimed HE could do, which was quickly tell whether something was written by a man or a woman.

And of course, I failed — I got 4 out of 10 right. Which is what the person who devised the test had intended. It’s easy enough to pick passages by men that sound like they are in the voice of a woman, and vice versa. To make it hard (or, in this case, to prove Naipaul is a sexist pig, which seemed to be the point — which he deserved, since he was being ungentlemanly).

Often, when I start out thinking, for whatever reason (say, an ambiguous byline such as “Pat,” or “Leslie”) that I’m reading something by a man or a woman and I’m wrong, at some point in the reading I go, “Wait a minute…” because something doesn’t seem right. And then I realize — the man is a woman, or vice-versa. Since, as an editor, I’ve had to critically read thousands of pieces from strangers, this has happened enough for me to note a trend.

Sometimes I’m wrong about my realization, though. I suspect, based on observations over the past thirty or forty years, that men and women (especially younger ones) are writing more and more like each other. Just as in other areas the genders are crossing paths. For instance… I’ve been driving for more than 40 years. For the last 25-30 years, I’ve noticed that young women are driving a lot more like young men than they did the first 10-15 — more aggressive, more likely to cut you off, more stupid in general, just like young guys.

Meanwhile, I’ve noticed a number of trends among young guys that combine to make it harder to determine the presence of a Y chromosome in superficial behavior. OK, guys still do more stupid stuff than women do, since testosterone still exists in them, but it seems that some of them try harder and harder, and often succeed, to express themselves like women. I won’t go into detail because one of them might punch me. Not very hard, of course, the wussies, but I still would find it inconvenient.

Anyway, take the test if you like. I’ll bet you flunk it. I certainly did. I knew I would, so I played along. When I thought the deviser of the test was trying to lead me to answer a certain way, I did.

I think I could probably devise a test you could pass along these lines. (The way to do it would be to choose paragraphs that are characteristically masculine or feminine in tone. In other words, stack the deck toward being easy rather than hard. If you chose paragraphs at random, everyone would flunk that, too. Most paragraphs provide few clues.) But you know what? I think my not having time to do that is why this post idea has sat here for almost three months…

Why did USC build the Greek Village, anyway?

Yes, I can think of some reasons, but since all of the ones I think of are… unpersuasive… I continue to wonder whether there are any defensible reasons for having devoted that choice real estate to such a purpose (not to mention putting the Strom Taj Mahal workout center in a location that only the Greeks could walk to conveniently and safely).

If you know of any, share them.

Here’s the thing about this sudden discovery by the university that fraternities tend to encourage unseemly behavior (“USC officials, Greeks debate hospital trips, strippers,” The State) — I’ve never understood why their presence is in any way encouraged at public institutions of higher learning.

At all of our colleges and universities today, administrators know that one of the most serious problems they face is binge drinking, and other activities that most of us associate with… well, Greek life. It astounds me that, in the 21st century, we even allow these organizations onto campuses, much less do anything to make them feel welcome. Not that we independents haven’t been known to chug a brew or two in college, but most of us didn’t join societies that, to the larger world, are essentially seen as drinking clubs.

I could see it if these associations had a salutary effect — say, if they militated against such irresponsible behavior. But I’m not seeing much indication of that.

Of course, I’m prejudiced. I went through college in the early 70s, which is actually the time that the cultural phenomena we associate with the 60s kicked in across most of the country. In my day, there were Greeks, but they seemed terribly anachronistic. It was something my Dad did (Pi Kappa Alpha), but not cool people in my generation. By the 70s — or at least by 1978 — they were associated with a benighted past, an object for satire. It was like, if you were in a frat, what century (or at least, what decade) were you living in? I understood that some people had their arms twisted by their parents into joining their frats and sororities, but what was the motivation beyond that? (There was this one guy who kept calling to invite me to check out his frat, and he only did it because he was bugged by his Dad, who worked with my Dad. I always came up with excuses to be elsewhere.)

The fact that people actually attached importance to this presumed bond — which is a perfect illustration of a granfalloon — has always puzzled me, and even caused me to think a little less of the human race. (While different, it’s distantly related to the way I feel about political parties.) To share another anecdote…

Once, when I was a student at Memphis State, a bunch of us were playing basketball on an outdoor court next to my dorm. Some guy got mad about something stupid and pointless, and put on a disgusting display of petulance, quickly convincing everyone that he was a total jerk. Finally, he decided to walk away, pouting. The attitude of every guy present was, Good Riddance. Every guy but one, who had to chase after him and try to… I don’t know, console him or commiserate or whatever. “We all said, what the hell, man? The guy’s a complete d__k! Come back and play.” There was some reason that his departure mattered to us, I forget what that reason was. Maybe he was taking the ball with him. Otherwise, we probably would have said Good Riddance to him as well.

Anyway, he said he had no choice but to run after that guy, because… he was his fraternity brother. We all looked on in disgust at this display of completely misplaced loyalty based on nothing more substantial than that.

But I’m sure some of you have a different perspective. Please, help me understand the ways that frats contribute to institutions of higher education.

Clue me in as to why those brick palaces, in the core of our community, add to our community.

Live at Walmart! With its business threatened, the megastore tries something new

I’d never seen this before, but I certainly saw it tonight. I was wandering through the men’s clothing section (did you know you can’t find plain white boxers at Walmart any more? this was the fourth one I’d tried), and I started hearing something that could only be live music. So I flipped on the video on my phone and kept approaching, and above is what I saw.

I’d heard Walmart was troubled. Remember, I put this WSJ story on my Virtual Front Page last night:

Wal-Mart Loses Edge

Perception That Retailer No Longer Has Best Prices Undercuts Sales Turnaround

Wal-Mart Stores Inc. is losing its longstanding reputation for offering consumers the lowest prices, complicating its efforts to end a two-year sales slump in the U.S.

The Bentonville, Ark., retail colossus became the world’s largest store chain by avoiding sales gimmicks through “every day low prices” on everything from food to sporting goods under one roof.

But surveys by retail consultants, analysts and brand experts now find that Wal-Mart’s aura of price leadership has faded since the recession, because customers who searched for better deals sometimes found them at competitors such as Dollar General Corp., Aldi Inc. and Amazon.com Inc….

It certainly didn’t look troubled tonight. Based on my difficulty in finding a checkout line that was neither too long (the “express” lanes”) nor featuring people with more than one filled cart. (I wrote on Twitter while waiting, “Waiting in crazy lines at Walmart. Apparently, a lot of people are simultaneously planning polar expeditions…”)

Not  that I’ll mourn if Walmart suffers a bit. Walmart is just one of a bunch of factors that killed the newspaper business. You’ll recall a time when grocery stores were a huge newspaper advertiser, along with department stores. Well, Walmart threatened and undercut them both with a strategy that did not require regular local advertising: With “Everyday Low Prices,” you don’t need to advertise any specials. You just have to let the word get around town, and you’re permanently set. And a lot of traditional newspaper advertisers were permanently shafted.

But the live music makes it all worthwhile, right?

Nekkid woman on the corner in Colatown

WIS says this picture was taken by Jessica Saleeby.

The problem with PETA is…

OK, one of the problems with PETA is… they’re so desperate to get your attention that you miss the point they’re trying to make.

Such as today, when a young woman showered naked on a corner in Five Points. Here’s a report from WIS:

COLUMBIA, SC (WIS) – Two women from the group People for the Ethical Treatment of Animals are showering nude on a street corner in Columbia today to highlight how they believe consuming water and adopting a vegan lifestyle helps the environment.

The naked women are showering behind a banner that reads, “Clean Your Conscience: Go Vegan! 1 lb. of Meat Equals 6 Months of Showers” at lunchtime in the heart of Five Points on Thursday.

PETA says it wants consumers to know that the best way to conserve water and to help the environment is to go vegan.

According to the group, going vegan is an “easy way to cut down on personal water usage, and it’s the best thing that anyone can do to help stop animal suffering.”…

No, it never explains the connection between meat and showering. So, the point is lost. There’s probably some sort of explanation somewhere, but we don’t know what it is at this point…

But hey, did you hear there was a naked chick on the corner in Five Points today?…

Oh, no! I appear to be part of a trend…

Tim brings this to my attention:

NEW YORK (AP) — The weak economy is hitting Americans where they spend a lot of their free time: at the TV set.

They’re canceling or forgoing cable and satellite TV subscriptions in record numbers, according to an analysis by The Associated Press of the companies’ quarterly earnings reports.

The U.S. subscription-TV industry first showed a small net loss of subscribers a year ago. This year, that trickle has turned into a stream. The chief cause appears to be persistently high unemployment and a housing market that has many people living with their parents, reducing the need for a separate cable bill.

But it’s also possible that people are canceling cable, or never signing up in the first place, because they’re watching cheap Internet video. Such a threat has been hanging over the industry. If that’s the case, viewers can expect more restrictions on online video, as TV companies and Hollywood studios try to make sure that they get paid for what they produce…

Tim was sympathetic in his comment about it, saying, “Don’t you hate it when you feel like just part of a trend?”

Yes, I do. Makes me feel… common. Low. Might as well start watching “reality TV” on my few remaining channels. That appears to be about all those channels show, anyway.

For the record, I have NOT moved home with my parents — yet. But I am one of those who is watching cheap Internet video instead of cable. I’m halfway through the first season of “Lost” on Netflix so far. The HD picture is awesome. “Lost” is… well, about like I thought “Lost” would be. I am not what you’d call enraptured. But at least I’m finding out what all the fuss was about. Sort of.

Tell Navin I’m not “somebody” any more

Somebody tell Navin Johnson I just fell off the grid. I’m guessing I’m not a real person any more, because I no longer have a landline.

On Saturday, we called AT&T and dropped our home phone service AND more than 90 percent of our cable TV. We had just recently signed up for Uverse, and it included three months free HBO and several other services, and I was watching a LOT of HDTV. Too much.

I won’t be doing that anymore. Now, we have the local broadcast channels (which I almost never watch), and a few random junk channels. There’s no HD (and I can hardly bear to watch standard def anymore), no 24-hour news channels, and no sports. The latter two aren’t much of a loss for me. I recently discovered I will watch sports in HD, when I didn’t before, just for the spectacle — about as clear a case of the medium being the message as one is likely to find. And y’all know how I hate 24/7 TV “news.”

What does get to me is losing all the movie channels. The things I tended to watch the most were American Movie Classics (“Mad Men!” — which I won’t get to see at all now!), Turner Classic Movies, TBS and TNT — along with FX and a few others. And the HBO selections were pretty dazzling. Since we signed up for AT&T last month (after dropping Time Warner), I had spent a LOT of time on HBO. When I wasn’t watching a movie, I was recording one, or two, or three, on the DVR.

But part of the point here was that I was spending too much time on TV, period. I’ve got shelves of books I want to read and haven’t touched. I need to get to them. What has worried me lately is that I didn’t even want to get to them, as much as I should. Sure sign of brain rot.

What else did we give up? The phone number we’ve had since moving to Columbia in 1987. The one our kids had growing up. The one that was the reference point for so many different kinds of accounts all over town. I’m bracing myself for the first situation in which someone is calling up my account and says “What’s your home phone number?” And I have to say I don’t have one. (I also worry that someone might NEED to reach me, and has no way of finding me other than through published listings.) Now, I realize that’s not any kind of deal to my kids or their contemporaries. None of them live at home, and not one of them has a land line. But a land line — as irritating as it was, since nothing came in on it but telemarketers — was one of those things that said you were a grownup, you were rooted, you were established. I think that’s why so many people who HATE answering their land lines on the rare occasions when they ring still pay that monthly bill. Not doing so would make them feel — insubstantial, ethereal, not really there.

But NOT paying a bill for something I wasn’t using just didn’t seem a smart option anymore, so we pulled the trigger on the service.

There were a number of factors in the decision:

  • Too much TV. The temptation to watch it was too great. I was losing sleep staying up watching it — that happens when what you’re into is movies.
  • I was paying for Netflix, and wasn’t watching it at all any more. And didn’t want to give that up. And since I still have the Internet, I can still stream that, and that provides more TV than I’ll ever need.
  • The upcoming deadline for dropping the AT&T service without penalty. We had 30 days since we signed up, and about a week left of that. So a decision needed to be made.
  • The S&P downgrade of the U.S. credit rating. OK, that’s an oversimplification, but that was sort of the last straw. It was really a) our failure really to recover from the 2008 crash; b) my getting laid off in 2009; c) the fact that, after a reasonably encouraging start, it seems harder to sell ads on my blog, which beyond the way it hurts my bank account, is indicative to me of people being tighter and tighter with their money; d) the political failure to come to grips with debt last week, and knowing that even if we had, it would have meant cutting more spending and raising taxes, which both tend to cool the economy; e) the turmoil in markets Thursday and Friday, which to me reflected less the usual fact that traders are feckless, fearful jitterbugs, and more the larger situation; f) the debt crisis in Europe and its long-term implications; and g) the downgrading of the credit rating. I didn’t figure any of us was going to be making any more money anytime soon, so spending all this on HD movies (as cool as they are) and telemarketing calls was ridiculous.

As you can see, it takes a lot to make me give up my HD.

I got up Saturday morning thinking that if we were going to move before the AT&T deadline, we had to move soon. And then, right after writing this post about the S&P thing, I told my wife I thought we needed to do it. She got on the phone immediately, because as far as she was concerned, we just had all that stuff for me, anyway.

Here’s the really bad news in all this: You know how much I saved? About $64 a month. That’s all. Which is why so few people actually take this step. Our bundle — high-speed Internet, phone, TV — was $150 a month. You would think you could get Internet service and the local broadcast channels (which is probably about 5 percent of what I was getting) pretty cheap, right? But the new total is $86. My wife — who writes the checks at our house — is pleased with that. I am not. I feel like I’ve given up so much, they should probably be paying ME for the loss.

But I guess that’s not realistic.

The big picture for Amazon

South Carolina hardly rates a mention in this report in the WSJ today (“Amazon Battles States Over Sales Tax“), but I thought some of y’all, your nerves still jangled from the recent battle at the State House, might be interested in this step-back report on what was at stake for Amazon, and how SC fits into the company’s grand strategy. An excerpt:

SEATTLE — Amazon.com Inc., the world’s largest online retailer, hasn’t charged sales tax in most states since its founding in 1994. And it has taken some extreme measures to keep it that way.

Among them: Staff traveling around the U.S. have been required to first consult a company map that shades each state red, yellow or green, said three people who have worked for the retailer. These people said they needed permission from managers or company lawyers before entering “red” states because a worker’s actions might trigger laws that force Amazon to collect taxes in those states.

Such steps to avoid local levies allow Amazon to undercut in-state retailers by the amount they must add in sales tax, which can exceed 8%.

A close examination of Amazon’s corporate practices, based on interviews with more than a dozen former employees and people who have done business with the Seattle company, as well as a review of corporate documents, indicates that the company believes its sales-tax policy is critical to its performance…

Press a button, and your iPhone shouts ‘You lie!’

Had to smile at this release about Joe Wilson going all high-tech:

Dear Subscriber,

Today, I am excited to tell you of the newest way you can stay in touch with the campaign by getting the latest updates, news, and stories: a new mobile application available for free to anyone with a smart phone.

As you all know, I love staying in touch with as many of you as I possibly can. This application is designed for just that purpose.   It allows me to reach out to you and post updates on local campaign events in your area, different ways for you and your friends to get involved with the campaign, and opportunities for me to visit with you in your community as well as news on the Second Congressional District of South Carolina.

Other features of the app include: interactive poll questions and direct feedback with me. I am also planning to launch a live video chat service in the future that I am very excited about.

In order to save this application to your phone, all you need to do is open up a webpage from your smart phone and visit www.joewilsonforcongress.com.  The mobile website will automatically redirect you to instructions on how to bookmark the application on your phone for future use.

I look forward to getting to know you better, and I hope you will join me by using your smart phone to visit www.joewilsonforcongress.com.

Sincerely,

Joe Wilson
U.S. Congressman

Actually, back to my intro, does anybody say “high-tech” any more? I think that term was trendy in Esquire back in the ’70s. I need to update myself. Maybe Joe could help me…

People used to live their lives. Now they shoot video of other people shooting video of them…

I found this video of editor Colin Myler’s last address to News of the World staffers interesting — not so much for anything he said (the sound’s not great) — but for what it shows of what we’ve come to culturally in this century.

Nobody just goes ahead and experiences anything any more. They’re too busy shooting video and photos of it. Everybody is doing it — the central figures in the event, and the onlookers. The event itself is delayed while pictures are taken.

It’s pretty weird. Nobody looks at anybody, because they’re all looking at their viewfinders. It’s like the thing isn’t really happening. And when you go back and look at the video you shot, all you’re going to have is video of a bunch of people shooting video.

It’s beyond weird.

It wasn’t like this in the first century and a half of photography. Used to be there’d be a few people taking pictures, and everybody else experiencing the thing. Cell phones did this. Everybody always has a camera on hand now, so every moment has to be captured. Even when the fact that everybody is doing so sort of ruins the visual effect.

This struck me really powerfully last year when the Gamecocks won their first national baseball championship. During the parade, all of the players — or quite a few of them — were busy shooting video of the parade, rather than simply experiencing the moment.

It makes me wonder whether, in the future, anything of moment will ever just happen without all of this looking into a mirror image of a mirror image of a mirror image, etc.

The great part is, you can either push OR pull

Tonight is trash night! The night that I wheel the stuff out to the curb…

That might not sound exciting to you, but last week I made an interesting discovery while performing that mundane task: My trash cart has instructions on it.

Does yours? If it doesn’t, how do you know how to operate it? Surely, surely you don’t just wing it the way I did for all those years. (It can be done, but I am loathe to recommend it, lest I be sued if things go wrong.) I’ve had that blue thing for I don’t know how many years now, and to think — I had never been properly briefed on its proper use.

This reminds me of the guy in So Long, and Thanks for All the Fish who dropped out and built an “asylum” (an inside-out house, with the interior walls facing out, and the brick and shingles and stuff indoors) to keep the world in after he read a set of instructions on a box of toothpicks, and decided that’s it; the whole world has gone over the edge:

Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.

I felt sort of that way when I read the above instructions. Who knows what exciting discoveries I’ll make when I take out the trash tonight, if only I pay attention?

May you never play in or around…

So you’re saying those posts about gorgeous babes soaping each other up weren’t REAL? Dang…

The blogosphere is a very weird place indeed:

Second “Lesbian” Blogger Turns Out To Be a Man

Editor of Lez Get Real outs himself as a retired military man from Ohio.

Seriously, gentleman, this is getting ridiculous.

One day after the author behind the popular “A Gay Girl in Damascus” blog admitted to being a married American man, the editor of the lesbian news site Lez Get Real came forward to acknowledge that he is also a married man and not “Paula Brooks” as he had claimed since the site’s founding in 2008.

Bill Graber, a 58-year-old retired military man, admitted to the Washington Post that he had been using his wife’s online identity without her knowledge to run the site, which has “A Gay Girls’ View on the World” tagline.

“I didn’t start this with my name because… I thought people wouldn’t take it seriously, me being a straight man,” he told the paper….

I have nothing to say about this, beyond what I said in the headline (which is not original; I think I heard somebody say that on TV, making fun of straight guys’ fantasies about lesbianism).

Oh, except to add… this is more evidence to support my point that women are more likely than men to be grownups… Of course, we may be about to hear of a rash of straight women pretending to be gay guys on the Web. But I doubt it.

I suddenly remembered — a fellow editor, another guy, I worked with back in the ’80s (long before there was a blogosphere) used to joke that he was going to chuck it all and and take up writing lesbian pornography. That same editor used to be a regular commenter on this blog. But we haven’t heard from him lately…

The Perpetual Adoration of the Dysfunctional

I’m at Barnes & Noble, engaged in my favorite leisure activity of getting a cup of coffee and wandering among the books and maybe blogging a bit. And moments ago I got a text from my wife. She is out of town, has been for several days. She’s somewhere in the Ozarks having a reunion with her high school friends from St. Agnes Academy in Memphis (37 in the graduating class, all girls). Here’s what she texted:

Who directed & starred in easy rider & supported andy warhol?

This is my function in the world. Perhaps it is why she married me. Anyway, I quickly responded, “Dennis Hopper. Why?” That was an easy one. We just saw him in that Warhol thing last week.

It was at Spoleto. There was this show that was very, um, Warhol. It was called, “13 Most Beautiful…Songs for Andy Warhol’s Screen Tests.” We went with my artist daughter and a friend of hers. It was enjoyable, even artistically impressive. But if you thought about it too much, it was disturbing. And I tend to do that. That’s the other thing I do. I keep trivia in my head, and I think about stuff until I ruin it.

Warhol did these things he called “screen tests” in which he had various people in his orbit sit in front of a camera loaded with a short piece of film — I want to say about 100 feet; in any case, it would last exactly four minutes. In this way, the artist fulfilled his own prophecy to a certain extent — immortalizing these people for at least four minutes of their allotted 15. He shot people he thought were beautiful in one way or another. Some were quite conventionally beautiful the way I would use the word, such as this one (who bizarrely kept her eyes open the whole time, causing tears to flow). But all were interesting.

You had Dennis Hopper doing his thing. Jane Holzer brushing her teethLou Reed drinking a Coke. Edie Sedgwick being big-eyed and lovely. The live, original music performed on the stage below the screen was very engaging. The hall was pretty full, and the crowd seemed engrossed. On the row in front of me I thought I recognized Allison Skipper from the Ports Authority. And sure enough, after we exchanged Tweets about it, she was to share this account with me:

13 MOST BEAUTIFUL…SONGS FOR ANDY WARHOL’S SCREEN TESTS

Call Andy Warhol what you will – genius, whack job, or some combination of the two – the man certainly had an eye for pretty people.

In 13 Most Beautiful, indie rock/pop musicians Dean Wareham and Britta Phillips pair hypnotic musical compositions against a backdrop of black and white projections of some of Warhol’s famous (or infamous) screen subjects. The footage itself is grainy and subjects range from the familiar (Lou Reed, Edie Sedgwick, Dennis Hopper, Nico) to the obscure. You can imagine Warhol himself off-screen, directing the subject to spontaneously cry, drink a Coca-Cola, look melancholy, or choreographing a slow curl of cigarette smoke or light reflected from the lens of sunglasses. Wareham and Phillips give an understated performance, demonstrating a conscious effort to take a backseat to the screen stars. The music serves to connect the audience with the subjects, in doing so achieving what they wanted all along. We love them, we adore them, we are fascinated by them. They are all famous, for at least 13 songs.

Our arty barometer says: It’s Warhol. It’s weird. Embrace it – with or without some mind-altering substance.

While the screen is dark for the show’s run at Spoleto, a recorded version is available to Watch Instantly on Netflix. Happy viewing.

–Allison Skipper

I pretty much agree with that. But at first, I didn’t think I would be able to sit through it. The very first “test” consisted of the totally impassive, androgynous Richard Rheem doing nothing but staring at the camera for the full four minutes. The band had not yet come out, so I didn’t have them to watch (of course, when they did come out, the stage was dark enough that all you could see really clearly was the whiteness of Britta Phillips’ shapely legs below her very short black dress as she played guitar and sang, but that was quite enough to make up for anything lacking on the screen), and this period was extremely tedious.

But it got better. Lots better. We weren’t bored again. And the experience was greatly enhanced by Dean Wareham’s narration, telling us a bit about the subject we were to see or had just seen.

And we watched, and were fascinated, as master showman Warhol had intended us to be.

But as for the disturbing part… well, look no further than “Ingrid Superstar’s” obsessive fingering of her face (and giving us the finger, but we don’t mind, the poor girl) throughout the four minutes, in which we see her with her hair cut to look like Edie Sedgwick. Right after we were told she was a junkie. And a sometime prostitute and temp (I liked the way he added “temp” anticlimactically). She was to go out for cigarettes years later and not come back — presumed dead, but her body never found. Her dysfunction is on display on the screen, we stare at it almost as unblinking as Ann Sheridan. Her being so obviously f___ed up is a source of entertainment for us, or of aesthetic edification if we choose to dignify it that way.

Then there was the guy who that same summer, deep in his own problems, was taking a bath at a friend’s house when he heard his favorite piece of music playing in the next room, upon which he leapt from the bath, ran into the room and danced about naked to the music, then jumped out a window to his death.

And here we were, staring at him making self-conscious faces for the camera. And I thought about this. Eventually, I was struck that what we were doing, sitting there so patiently, was a form of worship. Modern-day secular worship of celebrity, of hipness, of the various forms physical beauty can take, and of tragedy and dysfunction. I got to thinking of the Catholic practice of Perpetual Adoration of the Blessed Sacrament. This is a practice I’ve never been able to get into — not that I’ve ever tried. As a post Vatican II convert, it is alien to me, and smacks of idolatry. I recently heard that Pope Benedict wants it to make a comeback, which does not surprise me. But hey, I didn’t vote for him.

But while Perpetual Adoration to me seems strange and even vaguely wrong, here we were staring, for a period lasting longer than a Mass, at all these seriously messed up, self-involved people. And I found it fascinating, even enjoyable. What does that say about me, about us? I decry Reality TV, but I got into this.

It suggests that my priorities are seriously out of whack.

But at least it helps me keep the part of my brain devoted to cultural trivia sharp and active. My wife relies on me for that.

Regarding the end of film

Saw the oddest thing the other day in a TV show. I was watching an episode, from last season, of “The Good Wife.” There was a scene in which a man who has just committed a murder grabs a camera — a nice-looking SLR — and strips the film out, to destroy evidence.

Wow. Who uses film anymore? No one on-screen explained it. (The character was wealthy and quirky, and perhaps that was supposed to imply an explanation; I don’t know.) Anyway, today Roger Ebert brings our attention to this:

At the turn of the 21st century, American shutterbugs were buying close to a billion rolls of film a year. This year, they might buy a mere 20 million, plus 31 million single-use cameras – the beach-resort staple vacationers turn to in a pinch, according to the Photo Marketing Association.

Eastman Kodak Co. marketed the world’s first flexible roll film in 1888. By 1999, more than 800 million rolls were sold in the United States alone. The next year marked the apex for combined U.S. sales of rolls of film (upward of 786 million) and single-use cameras (162 million).

Equally startling has been the plunge in film camera sales over the last decade. Domestic purchases have tumbled from 19.7 million cameras in 2000 to 280,000 in 2009 and might dip below 100,000 this year, says Yukihiko Matsumoto, the Jackson, Mich.-based association’s chief researcher.

For InfoTrends imaging analyst Ed Lee, film’s fade-out is moving sharply into focus: “If I extrapolate the trend for film sales and retirements of film cameras, it looks like film will be mostly gone in the U.S. by the end of the decade.”

I’m a traditionalist, and was slow to give up film myself. But eventually — in the middle of this past decade — affordable digital got good enough. And since about 2005, my excellent Nikon 8008 has sat abandoned in a drawer. Which is sad. It is SUCH a better camera than I use today (in fact, I seldom use my actual “camera” any more, because the iPhone is so good for most purposes), enabling me to control the image so much better. But who can deal with the hassle and expense of buying the film, paying to have it processed (or paying even MORE in chemicals and such to do it at home, which I used to do), and then store the film safely, etc. And now you can see whether you got the shot immediately — and take unlimited exposures…

But it’s still sad…

There are diehard holdouts, connoisseurs who insist that there’s a quality to film that is lost without it, but to my philistine eye, the difference has disappeared. Same thing with vinyl records: But since I got a USB turntable and started digitizing my vinyl a couple of years back, I’m become pretty acutely aware that sound files that started out digital sound better than ones that came from my records. To me. Which probably also indicates I’m a philistine.

Ah, progress…

Half a century, and still no flying cars

Yeah, I know it’s a cliche — here we are in the high-tech future, a whole other century from when most of the sci-fi we grew up on was written, and there are no flying cars. It’s been said many times before.

But I just got to thinking about it in terms that hadn’t occurred to me before.

My wife was reading a book out on the deck this morning (while the weather was still pleasant), and referred to it having been written 50 years ago.

That’s the shocking thing, you see. It seems that 1961 is no longer just a brief while back. It’s 50 years ago now.

As anyone who has read Gene Sculatti‘s delightful and authoritative Catalog of Cool knows, 1962 was the Last Good Year. But the year before had much to recommend it as well. It’s the year that the iconic 60’s cult novel, Stranger in a Strange Land, made its appearance. Heinlein assumed that by the end of the 20th century (there is one vague reference to the date that places it at the end of a long, hard century — and Jubal Harshaw had served in North Africa in WWII), there would be flying cars — flying cars that flew to one’s destination without being guided by a human occupant. Say your destination aloud, and the car would take you there.

Now we have the technology for most of that. We can do voice commands, and something like Google Maps and GPS working together, along with the ability that SUVs and some other cars have now for sensing the proximity of other vehicles, etc. — we could make the car go where we wanted without guiding it, although personal I wouldn’t want to be one of the first few thousand people to trust my life to it.

It’s the flying part that’s tricky. Heinlein wasn’t specific about how the cars flew. He mentioned the “Lyle Drive” for spacecraft, but not the means for making the cars fly. Aldous Huxley, years before, had had people routinely flying helicopters, but Heinlein was not so explanatory, although one gets the impression that they flew Jetson-style. His characters took such transport for granted, suggesting the technology had been around awhile, so we are expected to take it for granted as well.

There were other things — such as a form of 3D TV called “stereovision,” which I sort of gathered was holographic, and watched in a “tank” like an aquarium. And videophones — although apparently landline-based. And most dramatically (and centrally to the plot) there had been two rather significant manned flights to Mars, the second one leaving colonists.

The assumption in those days seemed to be — with jets relatively new, and JFK pushing us to the moon — that our main technological advances would be in the area of transportation. Little thought was given to information technology. While a number of the things he imagined would have been unlikely without computers — such as doors that opened to spoken commands, and “bounce tubes” replacing elevators — the idea of the personal computer, as an important element of the typical consumer’s life, from the desktop to the smartphone — was completely absent. No email, no texting, no Skype (except from the landline). Hilariously, when a character wanted to send a written message and have a record of it rather than speaking by TV phone, he went to something that sounded like a telegraph office and sent a “statprint.” Ben Caxton, a nationally syndicated columnist in the novel, has such an advanced office that it has its own “statprinter.”

A lot can change in 50 years. Especially the future. What I can’t believe is that it’s been so long.

Onion peels a layer off Facebook/CIA connection


CIA’s ‘Facebook’ Program Dramatically Cut Agency’s Costs

This was great, because it was so (partly) true.

As a guy who long marveled at America’s touchiness about what it perceives as its “right” to privacy, I have been particularly fascinated at the way hundreds of millions have spent large portions of their lives in recent years writing extensive surveillance reports on themselves — and constantly, faithfully updating them.

One of the funniest parts of this video is the changing banner at the bottom of the page:

  • “Facebook First Conceived as Part of Patriot Act”
  • “CIA To Next See If Americans Will Provide Blood Sample To Facebook”
  • “CIA Calls Facebook ‘Reason We Invented The Internet'”

And even those of us who vastly prefer it to Facebook can appreciate when the “expert” talking heads say the government’s Twitter program should be totally defunded, because “400 billion Tweets, and not one useful bit of data was ever transmitted.”

Check it out.

More on The Filter Bubble

If you were interested in this post back here, you might want to check out this review of Eli Pariser’s book, The Filter Bubble. An excerpt:

… Personalization is meant to make Internet users happy: It shows them information that mathematical calculations indicate is more likely than generalized content to be of interest. Google’s personalized search results track dozens of variables to deliver the links that a user is predicted to be most likely to click on. As a result, Google users click on more of the results that they get. That’s good for Google, good for its advertisers, good for other websites and presumably good for the user.

But Mr. Pariser worries that there’s a dark downside to giving people their own custom version of the Internet. “Personalization isn’t just shaping what we buy,” he writes. “Thirty-six percent of Americans under thirty get their news through social networking sites.” As we become increasingly dependent on the Internet for our view of the world, and as the Internet becomes more and more fine-tuned to show us only what we like, the would-be information superhighway risks becoming a land of cul-de-sacs, with each of its users living in an individualized bubble created by automated filters—of which the user is barely aware.

To Mr. Pariser, these well-intended filters pose a serious threat to democracy by undermining political debate. If partisans on either side of the issues seem uninterested in the opposition’s thinking nowadays, wait until Google’s helpful sorters really step up their game….

If you read the book, let me know how it comes out. The review said was strong on identifying a problem, not so hot on solutions. Which I wouldn’t blame on Pariser. No one else knows the answer, either.

Keep a clean nose; watch the plainclothes…

Cindi Scoppe — who, to my memory, doesn’t cite popular song lyrics all that often herself — liked this NPR item and shared it with me, and I share it with y’all:

ROBERT SIEGEL, host:

How many times can a judge cite a song to adorn some obscure point of law? And how many times can a lawyer cite songs for the client he’s arguing for? Yes, and what if the song is a Bob Dylan song? Could it be a hundred times or more? Well, the answer, my friend, was 186 times. The answer was 186 times.

That is how often Bob Dylan lyrics were quoted in court filings and scholarly legal publications according to a study in 2007 by University of Tennessee law professor Alex Long, who joins us now from Knoxville.

You should go check it out. Apparently, neither the Beatles nor Springsteen nor anyone else comes close to Dylan, in terms of the number of times cited in legal documents. Apparently, the California court of appeals says “You don’t need a weatherman to know which way the wind blows” so often “that it’s almost boilerplate.”

The Rolling Stones come in sixth. You can probably guess what that would be. Yep. Because it’s true, in the law as in life: You can’t always get what you want.

But really, what DO you say?

Trav Robertson, as we saw him during the 2010 campaign.

Still sort of reeling from this discombobulation called Daylight Savings, and having had three glasses of sweet tea with my lunch at Seawell’s — to no noticeably helpful effect — I decided to do a wide swing through Five Points to get some REAL caffeine at Starbucks on my way back to the office.

So I got my tall Pike, and once again impressed the baristas with my fancy gift card from across the sea (thanks, Mr. Darcy!), and on my way out ran into Trav Robertson, whom I hadn’t seen since the election. Trav, if you’ll recall, managed Vincent Sheheen’s almost, but not quite, campaign for governor last year.

We chatted for a moment, mainly about the state of news media today and how it relates to politics (he said one of the toughest things he found to adjust to in the campaign was this newfangled notion that the story changes at least four times in the course of what we once so quaintly called a “news cycle”), and we parted, and as I walked back toward my truck, who was coming up the steps from Saluda but Larry Marchant. He smiled and we shook hands, and turning back to see Trav standing at the coffee shop door, I said, “Well, here’s you, and here’s Trav Robertson — we’ve just got everybody here, Democrats and Republicans…” as I moved on toward my vehicle.

Which is a pretty stupid and meaningless thing to say, but what DOES one say in such a social situation? I mean, I’m not gonna say, “Well, lookee here, we’ve got Trav, whose candidate lost a close election to a woman you claimed to the world to have slept with, and I last saw you being made fun of by Jon Stewart….”

No, I don’t think so.

And really, I suppose it’s not all that cool to say it here on the blog, either, but… it seems to me there’s a social commentary in here somewhere, having to do with Moynihan’s concept of Defining Deviance Down or whatever. And when I say “deviance,” I’m not picking on Larry or anybody else, but talking about us, the people who are the consumers of such “news.”

I mean, how does one conduct himself in polite society — or any society — in which such things are discussed, disclosed, dissected and displayed publicly? Actually, “publicly” isn’t quite the word, is it? Doesn’t quite state the case. Way more intense than that.

If you’re Jon Stewart, life is simple. You make a tasteless joke or two, get your audience to laugh, and move on to the next gag. But what do you say if you’re just a regular person out here in the real world, and you run into the real people about whom these jokes are made?

Whatever the right thing is, I haven’t figured it out, so today I just fell back on the time-honored stratagem of ignoring any weirdness inherent in the situation, and saying something insipid. Which, in this polite state of ours, still works.

As for Trav and Larry — did they speak after I left? Do they even know each other? If they spoke, what did they speak about? I have no idea. I retreated to the office with my coffee.

Larry Marchant, as we saw him during the 2010 campaign.